Best Howard Jones Songs of All Time - Top 10 Tracks

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Best Howard Jones Songs of All Time - Top 10 Tracks

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Best of Howard Jones

Howard Jones has performed in venues such as:

Mission Ballroom Cambridge Corn Exchange Borgata Event Center Hackensack Meridian Health Theatre The Factory TempleLive at Masonic Cleveland The Theatre at Ace Hotel Sandy Amphitheater Fallsview Casino Entertainment Centre The Colosseum at Caesars Windsor Ryman Auditorium The Norva Capitol Theatre Keswick Theatre The Forum Brown County Music Center TD Pavilion at the Mann The Theater at Virgin Hotels

Howard Jones has upcoming events in

Atlantic City at Borgata Event Center San Francisco at The Masonic Orange County at House of Blues Denver at Mission Ballroom Houston at House of Blues Omaha at Steelhouse Omaha Indianapolis at Brown County Music Center Washington at Warner Theatre New York at Brooklyn Paramount Philadelphia at Keswick Theatre

Without further ado, here are Howard Jones top 10 tracks of all time:

1. Things Can Only Get Better - 2018 Remaster

Howard Jones

2. What Is Love?

Howard Jones

3. No One Is to Blame - Single Mix

Howard Jones

4. Like To Get To Know You Well - 2010 Remaster

Howard Jones

5. What Is Love? - Extended Mix

Howard Jones

6. New Song

Howard Jones

7. Everlasting Love

Howard Jones

8. No One Is To Blame - 2018 Remaster

Howard Jones

9. Life In One Day

Howard Jones

10. Hide and Seek

Howard Jones

Howard Jones Details

John Howard Jones (born 23 February 1955) is a Welsh musician, singer and songwriter. He had ten top 40 hit singles in the UK between 1983 and 1986; six of those 10 singles reached the top ten, including, "What Is Love? ", "New Song", and "Things Can Only Get Better". His 1984 album Human's Lib reached number one on the UK Albums Chart. Around the world, Jones had 15 top 40 hit singles between 1983 and 1992. The 1986 hit single "No One Is to Blame" reached no. 4 on the US charts. Four others placed in the US top 20.

Jones is associated with the 1980s Second British Invasion of the US. He has been described by AllMusic editor Stephen Thomas Erlewine as "one of the defining figures of mid-'80s synth-pop." He performed at the historic Live Aid concert in 1985.