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Nevada

Yeasayer

Those who know Webster Hall solely as the roomy host to ascendant indie-acts and faded legends alike will be surprised to hear that the faux-marble labyrinth often doubles as a real-life night club featuring cover-charged theme parties and big-name DJ sets. The four-story, 40,000 square foot space includes a main stage, lined with balcony space on either end, as well as a few amenities and extras: an underground coat check, a large back-area bar (plus a few rarely-trafficked side bars,) bathroom attendants, the 600-capacity Marlin Room, and the Studio at Webster Hall, a smaller venue-within-a-venue with an intimate atmosphere. Attendees are usually too entranced by the spinning stage lights and gothic chandeliers to notice the multi-culti hieroglyphic hode-podge lining the venue’s wall; the upstairs unisex bathroom – complete with checkered, hop-style design and blackboard walls and chalk sticks on string to encourage scrawled musings from stall occupants – is harder to ignore. Most importantly, the house sound system’s crisp low end refuses to be ignored, probably thanks to a recent $1 million upgrade

Webster Hall

East Village

The 7th St Entry is a smaller venue (capacity 250) attached to the historic First Avenue. This space was once used as a restaurant area (the “Greyhound Cafe”) in the bus station, before it became the music venue that is known today as “The Entry” among the locals. “The Entry” opened its doors in March 1980 (under club Sam’s) as a venue that catered to local bands.

The 7th St Entry is a venue where smaller and lesser-known bands play (more popular bands play the First Avenue Mainroom). Several recordings have been recorded live at The Entry, including The Scouting Report’s hit song “Over the Ocean”; Hüsker Dü’s first album, Land Speed Record; the song, “Cables,” on Big Black’s Atomizer album; Rifle Sport’s live album, Live at the Entry, Dead at the Exit; and Motion City Soundtrack’s Commit This to Memory live DVD.

The 7th St Entry is a smaller venue (capacity 250) attached to the historic First Avenue. This space was once used as a restaurant area (the “Greyhound Cafe”) in the bus station, before it became the music venue that is known today as “The Entry” among the locals. “The Entry” opened its doors in March 1980 (under club Sam’s) as a venue that catered to local bands.

7th St Entry

Central

The 9:30 Club, originally named Nightclub 9:30, also known simply as the 9:30, is a nightclub and concert venue in Washington, D.C., which was originally housed in the ground floor rear room of the Atlantic Building at 930 F Street NW, in the city's downtown area, where it opened on May 31, 1980, with a legal standing capacity of only 199 patrons. In 1996, due to its increasing prominence, the club was moved to a roomier space, its current location at 815 V Street NW, where it anchors the eastern end of the U Street Corridor.

As a special feature, the club, with capacity for up to 1,200 people, has a wheeled stage mounted on rails, which can be moved back and forth as needed. This way, the place can feel as packed with 500 people in attendance as it would during a sold-out, full capacity show.

The 9:30 Club's name was derived from its original street address, as well as the original opening time of 9:30 p.m. Early advertising on D.C.'s WHFS radio featured the slogan "9:30 – a Place and Time!"

The 9:30 Club, originally named Nightclub 9:30, also known simply as the 9:30, is a nightclub and concert venue in Washington, D.C., which was originally housed in the ground floor rear room of the Atlantic Building at 930 F Street NW, in the city's downtown area, where it opened on May 31, 1980, with a legal standing capacity of only 199 patrons. In 1996, due to its increasing prominence, the club was moved to a roomier space, its current location at 815 V Street NW, where it anchors the eastern end of the U Street Corridor.

9:30 Club

U Street

The Fillmore is a historic music venue in San Francisco, California. Built in 1912 and originally named the Majestic Hall. It is in Western Addition, on the edge of the Fillmore District and Upper Fillmore neighborhood. Since the club celebrated its re-opening, the quality, variety and number of shows held there has been staggering. The most appearances award would go to Tom Petty and the Heartbreakers, who have played a total of 27 times at The Fillmore; first a 20-show marathon; the second run a meager 7 nights. Los Lobos brings down the house annually in December; Willie Nelson and Lucinda Williams both appear to have a soft spot for The Fillmore. No Doubt, Radiohead, The Cure, Sonic Youth, Prince, The White Stripes, Dave Chappelle and even Tom Jones have graced the stage multiple times.

The Fillmore

Fillmore District

The Gothic Theatre is a former movie theatre, the first in Denver to show “talkies,” turned music venue. Originally built in the 1920’s The Gothic Theatre’s grand art deco style provides an extraordinary and beautiful background. Though the front façade was altered in the 1940s to keep pace with modern tastes of the times, when renovated in 1998 the historic interior was kept as the venue was rebuilt from top to bottom and fitted to become a premier part of Colorado music. On June 23, 1999, when the very appropriate legends of New Orleans, The Rebirth Brass Band, took the stage, the glorious Gothic Theatre was back in the business of making memories. Since then the Gothic Theatre has hosted many distinguished shows. Local bands as well as nationally recognized bands continue to showcase their talent at the venue.

Gothic Theatre

Englewood

Terminal West is a 7,000 square feet music venue with exceptional lighting and sound systems. Terminal West has two bars and connects to the King Plow art center’s restaurant, Stationside, which is open during all live shows, and for lunch on Tuesday – Friday. They have an extensive beer list and other creative drinks. Interestingly, the Terminal West bars serve only canned beer from notable craft breweries such as 21st Amendment, Oskar Blues, Avery, New Belgium, Sierra Nevada, and many more. There is also a balcony that provides patrons with an eagle-eye view of the action on stage during performances, and an outdoor roof deck overlooking the historic Atlanta train tracks. Though it is one of Atlanta’s younger music venues, having opened during the Spring of 2012, Terminal West quickly rose to prominence. Though it started with heavily electronic and dubstep shows, Terminal West has evolved into a well rounded space with more indie and rock acts in its lineup. To date, artists such as Ok Go, Walk the Moon, Dale Earnhardt Jr. Jr., Caribou and People Get Ready have performed.

Terminal West

Westside

The Wonder Ballroom has been humming along as one of Portland’s busiest mid-sized concert venues for more than a decade. The room’s 778-person capacity allows it to host a wide variety of acts, from internationally touring folk singers to fast-rising indie rock bands to popular local artists. Offstage, the Wonder offers a top-flight experience, from its Spanish Revival-style architecture and spacious main floor to the full bar, basement café, and unobstructed sightlines from the balcony. It’s a comfortable place to see a show.

Wonder Ballroom

Eliot

Odd Blood

O.N.E.

Various Artists

The Music of Grand Theft Auto V, Vol. 1: Original Music

Don't Come Close

All Hour Cymbals

2080

Ambling Alp

Erotic Reruns

Ecstatic Baby

Sunrise

Fluttering In The Floodlights

Rome

Madder Red

Florence and the Machine (stylised as Florence + the Machine) are an English indie rock band that formed in London in 2007, consisting of vocalist Florence Welch, keyboardist Isabella Summers, guitarist Rob Ackroyd, harpist Tom Monger, and a collaboration of other musicians. The band's music received praise across the media, especially from the BBC, which played a large part in their rise to prominence by promoting Florence and the Machine as part of BBC Introducing. At the 2009 Brit Awards they received the Brit Awards "Critics' Choice" award. The band's music is renowned for its dramatic and eccentric production, as well as Welch's powerful vocals.

The band's debut studio album, Lungs, was released on 6 July 2009, and held the number-two position for its first five weeks on the UK Albums Chart. On 17 January 2010, the album reached the top position, after being on the chart for twenty-eight consecutive weeks. As of October 2010, the album had been in the top forty in the United Kingdom for sixty-five consecutive weeks, making it one of the best-selling albums of 2009 and 2010. The group's second studio album, Ceremonials, released in October 2011, entered the charts at number one in the UK and number six in the US. The band's third album, How Big, How Blue, How Beautiful, was released on 2 June 2015. It topped the UK charts, and debuted at number one on the US Billboard 200, their first to do so. The album reached number one in a total of eight countries and the top ten of twenty. Also in 2015, the band was the headlining act at Glastonbury Festival, making Florence Welch the first British female headliner this century.

Florence and the Machine's sound has been described as a combination of various genres, including rock and soul. Lungs won the Brit Award for Best British Album in 2010. Florence and the Machine have been nominated for six Grammy Awards including Best New Artist and Best Pop Vocal Album. Additionally, the band performed at the 2010 MTV Video Music Awards and the 2010 Nobel Peace Prize Concert.

Best Yeasayer Songs of All Time - Top 10 Tracks

Best Yeasayer Songs of All Time - Top 10 Tracks

Upcoming Events

1. O.N.E.

2. Don't Come Close

3. 2080

4. Ambling Alp

5. Ecstatic Baby

6. Sunrise

7. Fluttering In The Floodlights

8. Rome

9. Madder Red

10. Dog Days Are Over - Yeasayer Remix

Yeasayer Details