To request ADA seating: Please send us an email at boxoffice@thechapelsf.com or call our box office at (415) 551-5157 and we can assist you. Our ADA area can reach capacity early, so we highly recommend contacting us as soon as possible. Day of show requests may not be able to be accommodated. $27.50 Standing / $45 Seated Lee DeWyze emerged from Chicago’s rich music scene with a voice and songwriting shaped by intimacy, restraint, and lived experience. After years spent honing his craft in local rooms, his work reached a national audience when he won American Idol - a moment that marked not a culmination, but a beginning. Intent on defining himself beyond the television spotlight, DeWyze turned inward, committing fully to his roots in songwriting as both discipline, a compass, and a devotional practice. That commitment crystallized with his debut album Frames, marking the beginning of a body of work rooted in emotional honesty and nuance. Across four full-length records, DeWyze has maintained an exceptionally prolific output, cultivating a catalog that balances indie sensibility with broad emotional reach. Equally central to his career is his reputation as a live performer. For more than fifteen years, DeWyze has toured internationally, building a devoted following through performances defined by emotional gravity and quiet intensity. His shows favor connection over spectacle. His songs are delivered with vulnerability, space, and an instinctive understanding of when to let silence speak. Whether in intimate venues or on larger stages, his performances are often described as disarmingly personal, leaving audiences feeling less like spectators and more like participants. DeWyze’s music exists in a space where intimacy and craft quietly command attention. His work has drawn comparisons to Iron & Wine and The Paper Kites, artists known for atmosphere and emotional precision. Rooted in early influences such as Cat Stevens, Paul Simon, all the way to Elliott Smith, his songwriting favors nuance over excess—melodies that unfold patiently, lyrics that reward close listening. At the same time, there is a grounded, soulful weight to his delivery that recalls the emotional directness of Chris Stapleton. The result is a sound that feels both hushed and powerful—almost as if Chris Stapleton meets Gregory Alan Isakov—where raw feeling is filtered through elegance, and songs linger long after they end. While shaped by Americana and indie traditions, DeWyze’s music isn’t bound by genre—its emotional clarity allows listeners with broad and varied musical tastes to find their way in. Now based in Los Angeles, DeWyze has entered his next chapter with renewed focus and creative momentum. His latest album, Gone For Days, captures a period of reflection, clarity, and forward motion—true to the Americana genre, yet married to lyric-driven emotional storytelling. Whether experienced live or heard in moments of quiet reflection, Lee DeWyze’s work continues to resonate—defined by emotional honesty, prolific songwriting, and performances that linger long after the final note. August Lee Stevens is an Oakland artist whose sound merges the lyrical rawness and simplicity of folk songs with lush melodies and powerhouse vocals. In her early career, August has shared the stage with artists ranging from LaRussell to Seal. She recently performed at the Tiny Desk Concert series, and earlier this year she headlined four shows at SFJAZZ/JHL around the release of her solo LA debut "Live at the Troubadour”. In addition to her solo career, August performs with the collective Oakland Rising, which has opened for Rhiannon Giddens, Joy Oladokun and Sheila E. and recently made their debut at the Newport Folk Festival. They will be making their Nashville debut Sept 15 at the Gibson Garage.