
Evaporate 蒸發 pres. Eddie Richards (Wiggle, UK)
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Taipei, Taiwan
In the late 1980s, as Acid House was beginning to explode across London, Eddie Richards was already active at the legendary underground parties at Clink Street. Compared with the more psychedelic and euphoric side of Acid House at the time, Eddie's selections were darker, tougher, and more rooted in Chicago House and Detroit Techno, which earned him the nickname “Evil Eddie.” Eddie Richards became one of the defining figures of that first generation, during a period when Rave culture was beginning to reshape the future of club culture and electronic music. He would later become one of the key figures behind the development of UK Tech House throughout the 1990s. Publications such as RA, Mixmag, and DJ Mag have all recognized him as an important figure in the history of House music.
The original idea of Tech House was about blending Detroit Techno, Chicago House, Garage, Deep House, and other influences, balancing tempo, groove, sound, and texture into a seamless flow. Together with British legends Terry Francis and Nathan Coles, Eddie became part of the core of Wiggle, a name that became almost synonymous with Tech House itself. The aesthetic they created continues to influence the scene and remains deeply present in underground club music today.
Eddie is particularly respected for what he achieved as a DJ and selector. Unlike many artists whose reputations were built primarily through production, Eddie became known for his precision behind the decks, his ability to read and control a dance floor, his sense of groove and energy, and his mastery of the grey area between House and Techno. Fabric, the legendary London club founded in 1999, has called him a “living legend,” while Mixmag described him as “Britain's Godfather of House and Techno.” In its early years, Fabric developed its signature sound through residents such as Terry Francis and Craig Richards, focusing on music somewhere between House and Techno, with fewer vocals and a deeper, trippier atmosphere. Eddie Richards had already been exploring this territory long before Fabric even existed. He helped shape British Tech House and can almost be seen as part of Fabric's prehistory.
Fabric's own legendary status needs little introduction. In 2004, during the era when mix CDs were still an important document of DJ culture, Fabric invited Eddie Richards to record the sixteenth edition of its celebrated mix series. fabric 16 became the first commercially released mix CD of his career. More than simply another DJ mix, it feels like a permanent record of an entire DJ language. Fabric did not present Eddie as a nostalgic figure from the past, but instead captured an artist who was still moving forward and searching for new music. In a sense, Eddie Richards was one of the sources that existed before the Fabric sound had fully formed, while Fabric gave future generations a way to hear exactly why Eddie Richards matters.

