To request ADA seating: Please send us an email at boxoffice@thechapelsf.com or call our box office at (415) 551-5157 and we can assist you. Our ADA area can reach capacity early, so we highly recommend contacting us as soon as possible. Day of show requests may not be able to be accommodated. Dine with us at Curio and receive Expedited Entry into The Chapel! When you kick off your evening with dinner and drinks at Curio, we will check your tickets at your table and you will avoid the line outside. Be sure you tell us you're coming to the show when you make your reservation and upon arrival to the restaurant. Reserve HERE. $25 Advance / $28 Day Of Show Website | Spotify | YouTube | Instagram Rose City Band’s music is sun-kissed timeless country rock whose seemingly effortless momentum carries the joy of its creation without ignoring the darkness pervading our consciousness. Led by guitarist/vocalist Ripley Johnson, the music of Rose City Band is rooted in his love of private press records of the mid to late 70’s. The band, in addition to Johnson, features pedal steel guitarist Barry Walker, keyboardist Paul Hasenberg and drummer John Jeffrey who enmesh a keen sense of rhythmic drive and melody with gentler, sumptuous atmospheres. Sol Y Sombra digs its heels into insatiable grooves, its parade of catchy songs conjuring a sunset drive through an open desert, both a celebration of a sojourn and a reach for the warmth of home. The contrasts of Sol Y Sombra, the musical equivalent of bright stars in a night sky, are to Johnson an inevitability. “With Rose City Band, I'm generally trying to make uplifting music, good time music,” says Johnson. “This time I couldn't avoid the shadow being more of a presence. There's no getting away from it. The shadow is always there. So, I left it in.” Like many genre-breaking private press albums, the melancholia-infused Sol Y Sombra’s contrasts equally enhance moments of joy and movement whilst elevating the music with its honesty and intimacy. Nuanced performances and interplay between players unfurl like desert flowers splashing color onto an arid landscape. The ensemble's buoyant moments still glide with ease, but there is room to revel in respite of the shade of a dark cloud. For Johnson, the album finds places where the conscious meets the unconscious, the songs emanating the more mercurial and curious aspects of their sonic dream world, using darker hues to paint the panorama around them. Sol Y Sombra’s opener “Lights on the Way” is halogen on the highways, a beam of light pressing onward past dashed lines and soaring with Johnson’s guitar work and lush harmonies. The album’s first half is rife with blissful Americana, from upbeat rollicks to ballads dripping with sweet molasses. Walker’s pedal steel speckles the slow-motion shuffle of “Evergreen” with glinting starlight. His playing throughout pairs perfectly with Johnson’s effervescent guitar lines, exuding the casual virtuosity of pedal steel country legends while lending remarkable modern twists to his graceful licks. Across the album, Johnson’s tasteful guitar interjections and soothing voice are met in kind with the versatile playing of Walker, Hasenberg, and Jeffery, with special guest performances by synthesist/vocalist Sanae Yamada. Album closer “The Walls” perfectly captures the band’s explorative and expansive songs, Hasenberg’s soulful organ driving the album to an emotionally cathartic conclusion. Throughout his prolific career with Wooden Shjips, Moon Duo and now Rose City Band, Johnson’s music has consistently centered around exploration and discovery. Sol Y Sombra imbues his penchant for space and resplendent tonality with a denser amalgam of his influences. Johnson tactfully incorporates new elements with deftness and fluidity, while holding the band’s center intact. “One of my takeaways from making this record is that I spent a lot of energy trying to do things a little different but ended up back where I started in many ways,” notes Johnson. “And that's OK.” Through a delicate balance of the somber and the serene, of subtle evolutions and familiar sounds, Sol Y Sombra makes for a holistically joyous experience, finding solace in both sun and shade. Portland’s MØTRIK are “America’s Best Krautrock Band,” channeling the genre’s driving pulse through a kaleidoscope prism of cosmic textures, hypnotic rhythms, and alien clarity. On EARTH, the band’s fourth full-length album, Møtrik takes us on a sprawling, celestial journey through the outer limits of krautrock. The album’s 9 songs chart a course through sonic paradox; between body and void, machine and soul, end and beginning. And the results are undeniable: EARTH is a modern krautrock masterwork, and the soundtrack to our strange, unraveling future. EARTH cements their status not as revivalists, but as genre-shapers in their own right, equal parts sci-fi ritual, motorik propulsion, and kosmiche pastiche. Fans of Dry Cleaning, Minami Deutsch, or early Kraftwerk may recognize some of the terrain, but lead single “Ultimate Drive” is distinctly Møtrik: a cosmic death-drive wrapped in analog pulse, alien cool, and post-human longing. Drawing upon her background in classical guitar & art rock (as 1/3 of Oakland's Gumby's Junk), Jas Stade blends whimsy & technicality into an ever-shifting sonic landscape of experimental instrumental folk music. Her style explores a kaleidoscope of tones - fluidly moving from wobbly, surreal walls of sound to crisp fingerpicked ditties. Smoke & Mirrors, Jas’ debut album released in 2025, is a textural delight for the world of guitar music. Recorded to analog tape, Smoke & Mirrors is meditative, tongue in cheek, and best enjoyed late at night.