ARTIST PRE-SALE: Thursday, June 25th at 10:00am CDT PROMOTER/VENUE PRE-SALE: Thursday, June 25th at 11:00am CDT GENERAL ON-SALE: Friday, June 26th at 10:00am CDT For over a decade, Charlotte de Witte has reigned supreme, circling the world of nightlife and electronic music in a high-octane orbit of her own. A relentless force at the helm of a global movement, techno’s undisputed titan is more than just a DJ, producer, or label boss—she’s a trailblazer reshaping the very fabric of the techno scene. With an uncompromising sound, the Belgian powerhouse has solidified her place as one of the industry’s most in-demand and influential figures. As from November 7, 2025, she unveiled her first full-length album, marking yet another milestone in her breakneck ascent. Since 2020, DJ Mag has crowned Charlotte de Witte the World’s Number 1 Techno DJ—Six years in a row! It’s a testament to her unwavering audacity and authenticity. The secret behind her meteoric rise from Belgium’s underground to global icon? A signature sound that masterfully fuses genres, pulses with raw energy, and commands absolute attention. Her persistent innovation has earned her both critical acclaim and a cult-like following. On top of all that, Charlotte de Witte is the founder of KNTXT, a multi-dimensional platform encompassing a record label, electrifying live events, and high-end apparel. KNTXT also houses Époque, which celebrates Belgium’s rich discotheque culture by reimagining iconic dance classics—including CdW’s powerful rework of Push’s Universal Nation. Charlotte de Witte made history as the first techno—and first female—artist to close the mainstage at Tomorrowland. She also became the first female headliner in the 23-year history of Detroit’s Movement Festival, and the first techno DJ to play the mainstage of Miami’s Ultra Music Festival. With a relentless drive to bring underground club music to ever-bigger crowds, she has brought her defiant sound and distinct brand of artistry to some of the world’s most iconic venues and stages, including Coachella, Lollapalooza, and the Las Vegas Sphere—proving that for techno, there are no limits. With a bold vision to disrupt convention and redefine the perception of electronic music, Charlotte de Witte doesn’t just push boundaries—she shatters them. As a DJ, producer, and label head, she has carved out a unique path, seamlessly weaving rave culture into the fabric of popular culture. More than a mere evolution, she stands at the forefront of a revolution, crafting an immersive empire that channels the underground’s raw, unfiltered, and authentic soul. Her work resonates deeply with a new generation of music lovers, leaving a lasting and undeniable imprint on the industry. Through category-defying collaborations, adrenaline-charged performances, and impromptu free parties around the globe, Charlotte de Witte has bridged the gap between techno’s underground origins and the ever-evolving electronic landscape. Her Overdrive Tour was a multi-sensory experience that took her on the road with a 20+ person crew for several months —setting a new precedent for what a techno DJ can be. It saw her play headliner shows at festivals like Primavera Sound (Barcelona & Madrid), Pukkelpop (Belgium), and Rock en Seine (Paris). The Overdrive Tour wasn’t ‘just’ a massive party done well. It didn’t ‘just’ act as a level up for mainstage DJ sets. It shifted the trajectory of live performance, proving that DJs and techno artists are genuine and essential festival headliners for a new generation. Over the years, CdW has also teamed up with brands that align with her passions, including LiveWire—Harley-Davidson’s game-changing electric motorcycle - and Yves Saint Laurent. Her love of adrenaline also sparked a collaboration with Formula 1, which saw her perform at the Ferrari-owned Autodromo Internazionale del Mugello to mark the release of her Formula EP in 2021. In 2025, Charlotte de Witte is shifting into even higher gear. She kicked off the year with 15,000 fans packing the heart of her hometown of Ghent in Belgium for a surprise pop-up set—an electrifying reminder of her roots. Soon after, she touched down in New York City for six shows in just four days, taking over iconic spots like Public Records and, yes, the Williamsburg Bridge. Or, as Rolling Stone put it: “Only in New York type sh-t!” But the biggest headline of the year? A self-titled debut album, released on November 7—a first for the acclaimed artist and a bold move in a scene where full-length records are a rarity. Then again, after releasing 25 chart-topping EPs and playing nearly every venue on the map... What else is a girl to do?