To request ADA seating: Please send us an email at boxoffice@thechapelsf.com or call our box office at (415) 551-5157 and we can assist you. Our ADA area can reach capacity early, so we highly recommend contacting us as soon as possible. Day of show requests may not be able to be accommodated. Dine with us at Curio and receive Expedited Entry into The Chapel! When you kick off your evening with dinner and drinks at Curio, you'll be checked into the show right at your table and avoid the line outside. Be sure to tell us you're coming to the show when you make your reservation HERE. $25 Advance / $30 Day of Show Website | Spotify | YouTube | Instagram Less than a decade into her career, Katie Pruitt has cemented her status as an essential artist who helps us make sense of modern life and uncover meaningful ways of moving through it. Since the arrival of her critically celebrated full-debut Expectations (a 2020 LP that earned her an Emerging Artist of the Year nomination from the Americana Music Association), the Georgia-bred singer/songwriter/guitarist has assembled an acclaimed body of work exploring questions both existential and intimate (e.g., identity, self-acceptance, the quiet courage of living truthfully). On her new album Fools for the Fleeting, the Nashville-based musician reckons with the impermanence inherent to being human, shifting between poetic observation and confessional storytelling as she confronts such complex matters as ecological anxiety, love’s intrinsic fragility, and the profound isolation normalized by our increasingly digitized existence. Her third full-length and follow-up to 2024’s Mantras, Fools for the Fleeting emerged from Pruitt’s vision of creating an album that feels “rooted to the earth”—a concept closely tied to the LP’s underlying theme of nature as a mirror for our inner lives. A prime showcase for her warm and soulful voice, the 10-song set centers on a powerful yet intentional form of Americana/indie-rock, steeped in acoustic instrumentation and the beautifully imperfect friction of live performance, courtesy of musicians like Juan Solorzano (a guitarist known for his work with Ruston Kelly and Parker Millsap) and Aksel Coe (a drummer who’s played with Ella Langley and Sierra Ferrell). As Pruitt’s most outward-reaching and philosophically rich work to date, the result is a luminous meditation on transience and grief, connection as survival, and the transformative power of presence and surrender.