Quicksand + Bane with Soul Blind at Underground ArtsTuesday, September 1, 2026 Doors: 6:30 PM | Show: 7:30 PM 21+ About Underground Arts Visit undergroundarts.org for venue details including how to get here, parking, FAQ, UA Merch, Private Events, & everything else - Food, Concessions + Drink Menus | Venue FAQ | Contact Info Coming to this show with a crew of 6 or more? Select areas of the Black Box (aka: UA's auxillary lounge) are now available for rental during any of our concerts, dance parties, or events! Whether you’re celebrating a birthday and looking for some space to hang in between sets, gathering your pals for a small reunion, or just looking for some breathing room, our team can help! Our space has multiple options for accommodating private parties during concerts and dance parties, so fill out THIS FORM to request more information and create a one of a kind experience for you and your party. - About Quicksand Website | Facebook | Instagram | YouTube | Spotify | Apple Music It’s impossible to overstate the influence that Quicksand have on the hardcore scene. Formed in New York City in 1990 out of the ashes of Gorilla Biscuits, Youth of Today, Burn and Bold, the band took the aggression of hardcore and added a more groove-driven crunch to it, unintentionally inventing the genre known today as a post-hardcore. After releasing two major-label masterpieces in the nineties—1993’s Slip and 1995’s Manic Compression—the band split up at the peak of their powers, only to reunite in 2012 and release Interiors and Distant Populations. In that spirit, Bring On The Psychics marks a new chapter for Quicksand—guitarist/vocalist Walter Schreifels, drummer Alan Cage and bassist Sergio Vega—by creating a sonic bridge for these two eras of the band. The album is just as heavy as the band’s influential nineties sound while retaining the ambitious sense of experimentation from their more recent era. “This was seriously the easiest record we’ve ever recorded… nothing compares to it,” Schreifels says of Bring On The Psychics, which was recorded by Jon Markson (Drug Church, Drain). “We got the entire thing done in about ten days and then just tightened it up.” About Bane Facebook | Instagram | YouTube | Spotify | Apple Music Formed in Massachusetts, Bane began as a side project between Aaron Dalbec and members of Converge. After contacting Aaron Bedard, a former drummer in local hardcore punk bands, the group entered the studio in December 1995. After recording a demo, Bane made their live debut in February 1996. The lineup saw the addition of bass player Pete Chilton and released a debut 7" single. In May 1997 Bane released Free to Think, Free to Be, another 7" single. Another guitarist, Zachary Jordan, was added to the group as a member of Converge returned to his top priority. In May 1998 another 7" single, Holding This Moment, was released and was followed by a tour with Saves the Day. In 1999, Bane signed to Equal Vision Records and released the band's debut full-length album, It All Comes Down to This. A national and international tour with Death by Stereo ensued. The group also toured with Good Riddance and Strike Anywhere. In 2001, Bane released Give Blood. They have toured throughout Europe as well as performing at various festivals, including Furnace Fest. The band returned in the spring of 2005 with The Note. A few EPs followed during the rest of the decade, although the project didn't release another album until 2014's Don't Wait Up on Equal Vision. ~ Jason MacNeil, Rovi About Soul Blind Website | Facebook | Instagram | YouTube | Spotify | Apple Music “We’re Soul Blind, from the Hudson Valley,” is how the set starts. And the band makes good on that threat from the first note. Thick, pedal-drenched, and aggressive, Soul Blind take the heaviest elements of their hardcore roots and cut it with Modern Rock. The songs you heard in your dad’s truck are run through the unforgiving filter of the music that drew you to punk and metal. Crowbar and Stone Temple Pilots. All Out War into Tad. It’s all there, because Soul Blind doesn’t try to hide what shaped them. The result is music for the freaks. Non-denominational subculture weirdo tracks. It’s the sound of living in the shadow of NYC and never feeling jealous. The sound of proudly standing on the shoulders of local giants who never got their due. The sound of being four reprobates with nothing to offer the world but music. In other words, a real band. Please note the Underground Arts Safety Policy: Although not encouraged by Underground Arts or the Artist, moshing, crowd surfing or stage diving activities may take place at this event. Moshing, crowd surfing and entering such areas may be dangerous, and you do either at your own risk. Behavior deemed inappropriate, harmful or disrespectful by our event staff can result in removal from the venue without a refund. The safety of our patrons, staff and artists is our top priority and we expect all guests to treat others with respect.