The Belair Lip Bombs might be Australia’s best-kept secret. But it won’t stay that way for long. Hailing from the coastal town of Frankston, the close-knit indie-rock four-piece have been building a loyal local following since they first formed eight years ago; fans across the band’s hometown of Melbourne and beyond have been magnetized to the group’s earnestness and ultra-sticky power-pop song structures. Now, the four close friends — lead singer/guitarist Maisie Everett, Mike Bradvica (guitar), Jimmy Droughton (bass), and Daniel "Dev" Devlin (drums) — are about to embrace a new chapter with their signing to Jack White’s Third Man Records (the first Australian release on the international label) and the unveiling of their endlessly listenable sophomore album, Again, which echoes the album’s joyous opening track (“Again and Again”) and winkingly symbolizes the band’s reintroduction to a global audience. It’s easy to see why Third Man snatched them up: Born from the creative hub that is Frankston DIY venue Singing Bird Studio, The Belair Lip Bombs pull you in immediately with their self-coined “yearn-core” combination of quick-footed rhythms, warm and fuzzy guitar melodies, and Maisie’s cathartic vocals, which recall the heartfelt stylings of Yawners' Elena Nieto, Julia Jacklin, or Waxahatchee’s Katie Crutchfield. Such a vocal presence is ironically at odds with Maisie’s insular and pensive personality, but it’s in the music where her heart truly shines brightest, and it’s in the Bombs’ electric live show where her artistry confidently commands the stage. Following the breakout success of 2023’s Lush Life, the quartet’s follow-up effort gives the group’s DIY indie-rock style a fresh coat of polish across 10 rollicking new tracks, which were produced by the band, Nao Anzai (The Teskey Brothers), and Joe White (Rolling Blackouts Coastal Fever). Maisie, who was born in Scotland and moved to Australia at 3 years old, tends to fall back into an early love of vocal behemoths Queen when she writes the band’s prominent melodies and harmonies. And while songs tend to pour out of the band in a free-flowing, jam-adjacent way, ultimately the group relies on a gut sensation when deciding whether a track will make a record or not. “It has to evoke some kind of emotional response out of me,” Maisie says. “We've written songs before that, objectively, are probably quite good, but there’s a certain feeling that I won’t get from it. It’s tricky to find the words to describe that feeling, but I think other people can pick up on it as well.” Since forming eight years ago upon graduating from high school, the Belair Lip Bombs juggled band life with day jobs as they worked to define a sound inspired by classic rock pillars like the Rolling Stones and Television, indie stalwarts like the War On Drugs and Stephen Malkmus. They spent the first years as a band opening for Australian favorites like Ladyhawke, Spacey Jane, Slowly Slowly, and Tired Lion before releasing their more grunge-inspired self-titled debut EP in 2018 and then the poppier three-track follow-up Songs to Do Your Laundry To (2019). As the next decade rolled in, the Belair Lip Bombs fine-tuned their “limerence-rock” (as Maisie phrases it) aesthetic across impassioned and snappy singles like “Out Of Here” and Lush Life standout tracks “Gimme Gimme” and “World Is The One.” As they began to map out what would become Again, the band merged their individual influences more than ever to craft a no-skips collection of indie-rock anthems. Marking the first time the Belair Lip Bombs worked with a producer, Again was helped over the finish line by White, who Dev says took the pressure off and let the band focus on the bigger picture of making their record. “It was really good having someone else there who was just as invested in what we were playing as we were,” he says. “Sometimes when you’re recording you’re in your own little world… He made all of us feel really confident in what we were doing.” Maisie adds, “We really didn’t know what to expect going into it. But it was really beneficial having someone on the outside looking in at the songs and can pick up on things that we don’t necessarily see.” The Belair Lip Bombs signal their emboldened new era on the grooving mid-tempo rocker “Don’t Let Them Tell You (It’s Fair),” which urges the listener to say whatever they need to say with their full chest. “It’s about not letting anyone walk all over you,” Maisie says. “Have confidence in what you’re doing and don’t let anyone tell you otherwise.” Meanwhile, the vocally soaring “Back Of My Hand” undulates with an easygoing rhythm before bursting into Weezer-style guitar riffs on its heart-in-hand chorus. It’s another instance of the band’s total sincerity as Maisie implores a romantic connection to trust in the strength of their connection. “It’s really about knowing somebody like the back of your hand,” Maisie says of “Back Of My Hand,” adding: “It’s a nice little ode to love.” Later, the band show off their sonic range with “Hey You,” a jubilant melody built from a looping synth that’s bound to inspire listeners to leap up and dance it out. “Having a synth loop driving a whole song is something that we've never done before,” Maisie says. “Yeah, we just wanted a song that was different,” Dev adds. “We kind of leaned into that and pushed to make the scope of the song bigger than some of the other songs in the album.” Finally, the band cites the guitar-pop gem “If You’ve Got The Time” as a group favorite, as it features Mike Bradvica on backing vocals and showcases the group’s love of just jamming together. “I think it’s probably the best example of our vision for Again. We just nailed exactly what we wanted to do, and I love all of the vocal melodies. I think it’s one of the catchiest songs on the album.” As the Belair Lip Bombs move into an exciting new era of their careers, their unshakable friendship, wide-open hearts, and knack for foot-tapping melodies will no doubt endear them to legions of fans in search of musical transcendence. **Snuggle** Snuggle is a Copenhagen-based duo: Andrea Thuesen (Baby in Vain) and former Liss guitarist Vilhelm Strange, joining worlds. Both guitar players at heart, it's riffs on riffs and rhythms, threaded with intimate conversations. Releasing via Escho. **MORN** Since landing in London in 2024, MORN have quickly embedded themselves in the capital’s DIY underground, selling out headline shows across London including feral, full-throttle sets at The Windmill Brixton, closing out Independent Venue Week. They also saw themselves included in Glastonbury’s Emerging Talent longlist. MORN are a striking new presence emerging from the farmlands of Monmouth, South Wales. Two sets of siblings crafting a compelling blend of what they refer to as “doom over beautiful chords.” Announcing their arrival with the breathless, runaway train chaoticism of ‘Modern Man’, MORN weave spiky guitar passages and rumbling fuzz, with an urgency that feels as though they can’t get to the end of the song fast enough. With its nihilistic gang vocal of “Life is sh\*t when you’re all alone, but it’s fine”, and its spiral into an unhinged closing chorus of “La la la”s, MORN are marking themselves out early as a dextrous band that are happy wrestling bedlam into something cathartic.‘Modern Man’ is a thrilling introduction to a band just getting started. If you have any queries or would like more information about access at Village Underground, please see our FAQs here: https://bit.ly/3EhSLgF, or contact access@villageunderground.co.uk. Presented by FORM. 16+ event. (16-17 with a responsible adult 18+,1:1)