VOODOO GLOW SKULLS: Were formed in 1988 by Eddie Casillas, Jorge Casillas, Jerry O’neill and Frank Casillas. After a few years of backyard party shows, cassette demos, 7” singles and first club gigs, they released their debut album “Who is, this is?” for Dr. Strange records in 1993, gaining the attention of Brett Gurewitz, owner of Epitaph records. The band then signed to Epitaph records and released four albums, starting in 1995 with Firme, their most successful album to date, then followed by Baile de los Locos, Band Geek Mafia and Symbolic. The band began to tour worldwide with their first European tour in 1996 followed by Japan, Australia, Mexico, and South America. The band has been featured on several of Epitaph's Punk-O-Rama releases and has had music featured in video games, TV and movies. The song "Shoot the Moon" from the band's Firme album was used in the Pauly Shore movie Bio-Dome and the band's version of "Used to Love Her" (originally written and recorded by Guns N' Roses) is featured in the Mr. & Mrs. Smith soundtrack. In 2002, Voodoo Glow Skulls signed to Victory Records. The band released three albums on the Victory label and continued to tour. On January 18, 2012, the band released its self-produced ninth album, Break the Spell, through Smelvis Records. In June, 2017, Frank Casillas announced his retirement from the band and was replaced by Efrem Schulz. In May 2021, the band released Livin' The Apocalypse with Efrem Schulz and continued to play shows. In October 2024, Frank Casillas rejoined the band. Voodoo Glow Skulls is: Edgardo Casillas: Guitar Jorge Casillas: Bass Francisco Casillas Jr. : Vocals Ian Baroni - Trombone Adam Chavira - Saxophone Steven Reese - Drums NEKROMANTIX: Never self-serious while far from a joke at the same time, Nekromantix is a musical unearthing of the biggest themes from the greatest works of monster, zombie, vampire, werewolf and b-horror fiction; ripped from literature, comic book pages or classic celluloid. Nekromantix chases a darkly romantic muse with an even darker humor. The Nekromantix catalog boasts enduring genre classics like the unapologetically hooky yet undeniably fierce “Who Killed the Cheerleader?” and “Gargoyles Over Copenhagen” alongside subversively sentimental cuts like “Haunted Cathouse” and “Subcultural Girl.” There are echoes of rock n’ roll’s greats and punk rock icons alike, all with modern flair. A Symphony of Wolf Tones & Ghost Notes broadens the Nekromantix legacy with expansive ambition that never sacrifices the trio’s inherent grittiness, furiously stoking and reshaping the flames of the creative vision begun in Denmark with legendary labels like Nervous Records, through the band’s master classes in punk n’ roll albums stateside with Hellcat Records, the label cofounded by Tim Armstrong and Brett Gurewitz. Armed with his signature coffin bass, chilling baritone, monstrous expressions and ten-stories-tall haircut, Kim Nekroman has earned tremendous respect, admiration and goodwill from a fiercely dedicated legion of hard-partiers, rabble-rousers, well-meaning degenerates, grease monkeys, outlaw bikers, nostalgic tastemakers and forward-thinking punks. It’s a crew of supporters as diverse as the otherwise classic and timeless music the Danish-born California transplant has unleashed as leader of Nekromantix. Nekroman’s notorious quiff is as instantly recognizable as the coffin bass he’s slapped into submission on nine studio albums, countless worldwide tours and festivals. The quiff, of course, combines the midcentury rebel style of the pompadour and flattop with the punk attitude of New York and Europe from the late 70s. It’s a fitting symbol for the style of music Nekromantix has perfected into an art form, a rollicking psychobilly sound with reverence for the genre’s origins and predecessors, infused with an iconoclastic boundlessness that refuses to abandon the electric catharsis of unadulterated fun. Return of the Loving Dead (2002) marked a career resurgence and subcultural breakthrough for what was previously a feverishly cherished underground band best known outside of North America, via now legendary records like Curse of the Coffin (1991), Brought Back to Life (1994), Demons Are a Girl’s Best Friend (1996) and their unstoppable debut, Hellbound (1989). The new millennium brought the band to America (at first to tour and eventually, to stay), conjuring into the world new Nekro landmarks in the forms of Dead Girls Don’t Cry (2004), Life is a Grave & I Dig It! (2007) and What Happens in Hell, Stays in Hell (2011), as Nekroman steered the band through shifting lineups and energized shows with bands like Rancid and Reverend Horton Heat. Nekroman has been joined by skilled guitarist Francisco Mesa for nearly a decade now, with drummer Adam Guerrero bringing a fresh injection of passionate enthusiasm to the band in 2014. A Symphony of Wolf Tones & Ghost Notes is a fertile proving ground for a reenergized lineup that fans of the band have already loved for two years. New songs like “Glow in the Dark,” “War Bats” and “Resting Witch Face” are instant classics, standing mightily alongside the greatest Nekromantix songs enduring in their set list. There are some bands whose sound, image and front person became synonymous with an entire subculture, whether as originators of a particular style, a crucial innovator among a handful of likeminded artists, or simply as the best embodiment of everything a specific style has to offer. Rock historians may debate who reigns supreme among Black Sabbath, Led Zeppelin and Deep Purple, but there’s no denying they are all heavy metal titans. When someone says “Lemmy” or “Strummer” or “Blondie,” certain feelings are immediately invoked. There’s a palpable energy in the air among hardcore acolytes and culture mavens. It’s a kind of iconic resonance that transcends boundaries. To their dedicated army of supporters around the world and across every dimension, Nekromantix stands tall among the ghosts in rock n’ roll’s undead cemetery.