WXPN Welcomes Del Amitri with The Tisburys at Underground ArtsMonday, June 22, 2026 Doors: 6:30 PM | Show: 7:30 PM 21+ About Underground Arts Visit undergroundarts.org for venue details including how to get here, parking, FAQ, UA Merch, Private Events, & everything else - Food, Concessions + Drink Menus | Venue FAQ | Contact Info Coming to this show with a crew of 6 or more? Select areas of the Black Box (aka: UA's auxillary lounge) are now available for rental during any of our concerts, dance parties, or events! Whether you’re celebrating a birthday and looking for some space to hang in between sets, gathering your pals for a small reunion, or just looking for some breathing room, our team can help! Our space has multiple options for accommodating private parties during concerts and dance parties, so fill out THIS FORM to request more information and create a one of a kind experience for you and your party. - About Del Amitri Website | Facebook | Instagram | YouTube | Spotify | Apple Music Del Amitri's easy blend of Beatlesque pop and country-rock has made them a worldwide road and radio staple since the mid-'80s. Formed in Scotland in 1982 by bassist/vocalist/songwriter Justin Currie and longtime guitarist and collaborator Ian Harvie, the duo released Sense Sickness on a small Glasgow indie label the following year. Through heavy touring and positive word of mouth, the band -- which now included drummer Paul Tyagi and guitar player Bryan Tolland -- managed to impress the suits at Chrysalis Records enough to offer the fledgling group a recording contract. Their Hugh Jones-produced self-titled major-label debut was released in 1985 amidst a tidal wave of hype, but their signature blend of new wave and country-folk isolated audiences and critics alike, resulting in their inevitable departure from the Chrysalis family. Del Amitri rebounded with a self-financed U.S. tour that broadened their network of fans and landed them a deal with A&M. In 1987 the quartet expanded by one, adding keyboardist Andy Alston and replacing Tolland with David Cummings and Tyagi with Brian McDermott, and began work on Waking Hours. Released in 1989, the Gil Norton/Hugh Jones-produced LP yielded the band's first British hit, "Kiss This Thing Goodbye," a song that also found success in the U.S. In 1992 the group charted with "Always the Last to Know" from the Change Everything album, but it wasn't until the release of 1995's Twisted and its infectious hit "Roll to Me" that Del Amitri could declare global victory. Their follow-up, Some Other Sucker's Parade, relied heavily on the adult alternative jangle pop that made Twisted such a success, but failed to generate any lasting hits. Hatful of Rain: The Best of Del Amitri, a much-needed career-spanning anthology that collected the prolific yet spotty group's best tunes, was released in 1998 along with a companion CD, B-Sides Lousy With Love. Del Amitri released the soulful and melodic Can You Do Me Good? in 2002. ~ James Christopher Monger, Rovi About The Tisburys Website | Facebook | Instagram | X (Twitter) | YouTube | Spotify “Will it all just stay the same?” asks songwriter Tyler Asay on “Forever”, the first single from The Tisburys’ new album, A Still Life Revisited. Recorded at Dr. Dog’s Mt. Slippery studio in the suburbs of Philadelphia with their longtime engineer/producer Justin Nazario, A Still Life Revisited is The Tisburys’ most collaborative effort to date. In an era where “bands” are seen as one individual, this is truly a “band record” with every member contributing songwriting and production ideas (especially from longtime lead guitarist John Domenico and keyboardist/co-producer Jason McGovern). “The goal with this record was ‘everything in its right place” says Asay. “Every instrument is playing its part and every song came together like a puzzle”. Please note the Underground Arts Safety Policy: Although not encouraged by Underground Arts or the Artist, moshing, crowd surfing or stage diving activities may take place at this event. Moshing, crowd surfing and entering such areas may be dangerous, and you do either at your own risk. Behavior deemed inappropriate, harmful or disrespectful by our event staff can result in removal from the venue without a refund. The safety of our patrons, staff and artists is our top priority and we expect all guests to treat others with respect.