**Ashland Craft live at Eddie's Attic!** Ashland Craft hasn’t forgotten where she came from. Years before her blue-collar country anthems and honky-tonk spirit earned a national audience, she grew up in Piedmont, South Carolina, making her living as a bar singer. It wasn’t long before Ashland graduated to larger venues, playing to country fans on Cody Johnson’s arena tour and expanding her rock & roll fanbase as Marcus King Band’s opening act. Throughout it all, she remembered the dive bars and roadhouses that kick-started her career, molding her into a road warrior whose songs were every bit as strong as her work ethic. Those songs take center stage on Dive Bar Beauty Queen. Full of old-school storytelling and modern attitude, it’s the first self-produced album of Ashland’s career. She isn’t just a songwriter here, delivering amped-up autobiographical anthems about heartache and resilience in a raw, raspy voice sharpened by countless hours beneath the stage lights. She’s the album’s architect, too, creating a sound that splits the difference between country, southern soul, and rootsy rock & roll. Dive Bar Beauty Queen is a leap forward for Ashland, but it finds her looking to the past, too, saluting the sounds and stories that first inspired her to become a traveling musician. “I wanted to give people a glimpse of the person I’ve always been, even before I released Travelin’ Kind,” she says, nodding to the critically-acclaimed debut album that arrived in 2021, not long after her Top 10 finish on NBC’s The Voice. “I’m taking a step further back, writing songs that dig not only into my life right now, but my life back then, too. Dive Bar Beauty Queen is about the music and the experiences that made me who I am… and it shows how I’m moving forward.” Everything starts with the album’s title track, which pays tribute to the years spent paying dues and singing the blues. “I started playing gigs in bars when I was a teenager, and I loved it from the start,” Ashland remembers. “I immediately connected with the idea that a bunch of normal, down-home people were getting together and having a good time. Those places — clubs, dive bars, and small honky-tonks — have always felt like a second home.” Maybe that’s why she sounds so comfortable on “Hangin’ Up the Honky Tonk,” where she sings the praises of her favorite bars with a mix of southern swagger and road-worn grit, like she’s two drinks into a wild Friday evening. Later, she fuels up on Tennessee twang and swampy groove with “Lie A Little,” pushes a no-good partner out the door with the Shania Twain-inspired “Kick Rocks Cowboy,” and gets self-reflective on the southern piano ballad, “Wasn’t The Chevy.” Much of Dive Bar Beauty Queen highlights Ashland’s path from small-town singer to nationally-touring artist, but the album still finds her looking forward, too. On “Morning Person,” the album’s gorgeous closer, she imagines herself as a reformed night owl who’s transformed herself into an early riser, waking up early each morning to watch the sunrise with her lover. “It’s about being in a better place in my life, and hoping to find the person who makes me feel that way,” she explains. “It’s a love song about finding a better future.” Right now, though, Ashland Craft is focused on the present. With Dive Bar Beauty Queen, she positions herself as a timeless country artist for the modern world, making music that’s honest, heartfelt, and a little rebellious. It’s a contemporary version of a classic sound, laced with Telecaster twang and inspired by the Bible Belt beer joints where she cut her teeth. “I’ve gotten to play every type of venue,” she adds. “There’s nothing like playing a honky tonk. It’ll never get old. It reminds me of who I am, the hardworking people who inspire me, and the simple nights that bring the most joy. No matter what I’m doing, I’malways trying to pay tribute to that.” Fresh off opening for Luke Bryan on his Country Song Came On Tour and headlining her own Dive Bar Beauty Queen Tour, she entered 2026 with momentum as “Kick Rocks Cowboy” cracked the Top 40 on the Music Row chart. She followed it up with duet releases from Dive Bar Beauty Queen, teaming up with Chase Rice on “Momma Don’t Pray Like She Used To” and with Ashley McBryde and Mae Estes on “Yard Sale.” Craft will continue rolling out more duet versions ahead of the deluxe Dive Bar Beauty Queen release this summer. \-- Luke Brown & The Jubilee blend honky-tonk swagger with heartfelt country storytelling. With electrifying performances and buzzworthy singles like “Angel” and “Let It Ride”, they’re making waves on radio and stages across the South. Presented by Eddie's Attic. This is an all ages event.