
aja monet
The Chapel
∙
San Francisco
Monday, June 1 at 8 pm PDT
Concert Venue
Monday, June 1 at 8 pm PDT
Concert Venue
Entry options
Details
Description
To request ADA seating: Please send us an email at boxoffice@thechapelsf.com or call our box office at (415) 551-5157 and we can assist you. Our ADA area can reach capacity early, so we highly recommend contacting us as soon as possible. Day of show requests may not be able to be accommodated.
$30 Advance / $35 Day Of Show
Website | Spotify | YouTube | Instagram
Surrealist blues poet, aja monet, announces her powerful new album, the color of rain, due May 22nd on drink sum wtr. The album announcement arrives today with a Jesse Boykins III-directed video for album standout “elsewhere.” A track that poetically grooves and glimmers--featuring soul-stirring vocals by Georgia Anne Muldrow, Meshell Ndegeocello, and Novena Carmel.
"’elsewhere’ is a dedication to Sly Stone. We were in the studio working on the album and learned of his death. Meshell told me to go home and write something not in memoriam but in homage. The next day we started working on the song and it was like he was in the room with us,” monet explains. “Everything came together in divine timing. I had already reached out to Novena Carmel and also Georgia Anne Muldrow but they both responded the same day and joined us. The song reminds me of our love for one another and the portal of possibility."
At the crux of rising fascism, aja monet offers a waking-dream intervention, amid the sinister reality of contemporary events. A prompt to look up at the sky within, the color of rain, co-produced by monet, Justin Brown and Meshell Ndegeocello, is an imbrication of familiar genres forged beyond category or definition. As one stride’s through the sequence of poems, each song shifts between musical perceptions of jazz, soul, hip hop, rhythm and blues. Surrealism at it’s finest, a marvelous unleashing of the mind. the color of rain reminds us that poetry predates the very blueprints of genre. Rather than delivering poetry over fixed arrangements, aja works in close conversation with the music, adjusting phrasing, cadence, and tone as the compositions shift.

