
Rjd2
Felton Music Hall
∙
Santa Cruz
Thursday, July 16 at 8 pm PDT
EDM
Pop
Concert Venue
Rap / Hip-Hop
Thursday, July 16 at 8 pm PDT
EDM
Pop
Concert Venue
Rap / Hip-Hop
Entry Options
Details
Artists
Description
Show 8pm // 21+
***This is a standing room general admissions show. There will be a limited number of chairs located in the back of the concert hall. Seating will be first come first served. Bar and food will be open at 5pm. Ticket holders will receive 10% off food!
Felton Music Hall Presents:
RJD2
With the same care he combines sound sources into songs, RJD2 has stitched together an
impressive career out of many projects: instrumental albums, international tours, credits for
Mos Def, MF DOOM, Phonte, producing the theme for Mad Men, and beyond. The Columbus,
OH producer titled his new album Visions Out of Limelight in honor of his comfortable
place in the underground and his "self-imposed exile" at work on the tracks. For his latest
instrumental LP, the producer found inspiration in sources that can be taken for granted by
less-discerning listeners.
Thanks to time at home with his son, RJD2 was completely immersed in the TV theme
songs of the '70s, '80s, and '90s. "I realized how incredibly composed and skillfully
complex many of them were. These songs contained a few core tenets: a great groove, a
great chord change, a strong melody, and a concise time frame," he says. "It made me
realize how hard it is to make instrumental music with a melody that's as memorable as a
lead vocal."
The producer was also determined to build tracks around interesting basslines, inspired by
classic parts in Dr. Dre's "Deep Cover," KMD's "Black Bastards," and [Diamond D example].
It was a deliberate change from the chord-centric compositions in post-millennial hip-hop
and funk. It became a "mini-mission" for the producer to make a modern album that puts
the bass in the forefront of the songs.
Both approaches align on single "Catch The Exit Door," as electric bass percolates up and
down the neck under wah-wah guitars and horns straight out of a syndicated cop drama.
"Through It All" features crooning from English vocalist Jamie Lidell, pondering his
existence over piano stabs and a steady breakbeat. Frequent collaborator Jordan Brown
flexes his paranoid android falsetto to fit the loose groove of "Fools at the Haul" with
robotic precision.
Some songs were recorded with live instrumentation while others were chopped and reassembled via sampler "like the olden days," RJD2 says. "I still to this day appreciate the
radical shift in mindstate inspired by constructing a song with bits of found sound."
Good luck figuring out which drums are live or samples. With 15+ years of studio
experience, the producer has developed a combination of mic placement, technique, tuning
and gain staging to get drum sounds that evoke the same grit and urgency of classic hiphop breakbeats. "You either run out of great drum samples, or you spend the bulk of your
creative time chasing new ones, to varying degrees of success," he says. "The finite nature
of great drum samples has pushed me further into honing my drumming game."
RJD2 has a wide range of Visions: "Wild For The Night"'s aggro horn loop was inspired by
the legendary Bomb Squad, while "What I Do, Man" and "Asphalt Lamentations" were
inspired by French touch house of Daft Punk and Ed Banger Records. At proper volume, the
full album evokes the thrift-shop psychedelia of Paul's Boutique.
And the producer really did bury himself up to his neck in the dirt [where?] for the album
art.
"Album covers have become my opportunity to do something fun in the real world," he
says. It's a dual homage to Funkadelic's Maggot Brain and Redman's Dare Iz A Darkside,
two artists with enduring catalogs of no-bullshit, rock-solid music. RJD2 aspires to create a
similar body of work, from his 2002 opus Deadringer to 2020's The Fun Ones on to the
future.
"I have come to terms with the fact that the most impactful and lasting effort I can put
forth in my limited time on Earth is to leave behind the best music I can, not for the sake of
pitching 'me,' but for the sake of the music itself," he says. "The timeless nature of recorded
music and its ability to touch an unknown future listener makes it as close to a worthy
endeavor as I'll ever attempt." Visions Out of Limelight channels RJD2's many influences
into another incredible instrumental album, and it just might be a classic one day too. -Jack
Riedy


