
Ikomiki with Voiski
Womb
∙
Tokyo
Wednesday, November 12 at 11 pm GMT+9
EDM
Nightclub
Concert Venue
Bar
Wednesday, November 12 at 11 pm GMT+9
EDM
Nightclub
Concert Venue
Bar
Entry Options
No Options Available
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Description
2024年からシークレットベニューで開催されてきた已己巳己 -ikomiki-が、今回は特別編として平日の水曜日にWOMBで開催。今回はフランスのパリからVoiskiが来日し、これまで培われてきた濃密な空気感をそのままに、新たな場所での未知なる体験を作り出す。
Since 2024, ikomiki has been held at secret venues, and this time it will take place as a special edition on a weekday Wednesday at WOMB.
This time, Voiski from Paris, France will be performing, bringing the same deeply cultivated atmosphere to create an unknown experience in a new setting.
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Voiski
AND IN AND OUT, AND OUT AND IN. Voiski has been a leading figure in techno music for more than a decade. Becoming, since his debut, a very interesting and respected artist around the world, he succeeded in keeping his huge musical aura and sound through the years and fashions. From an Iranian background, he has always been very connected to spiritual music and trance in particular. The element of repetition is ongoing through his catalog, creating a direct link to his beloved minimalistic classical composers and his Iranian roots. Experienced live performer, Voiski is also an amazing DJ. His love for classic electro gets space to shine here, together with segments of underestimated beatless material, breaking up the steady pattern of the kick drum. Appearing around the world under his own name, Homāyun Kheradmand goes under many guises and is part of several constellations aside from his main alias. Famous for being the other part of the very popular Polar Inertia, you can also meet him as Vrilski (with Vril), Superski (with Eliott Litrowski), Wav (with Wata Igarashi), Kartei (with Crysta Patterson) or with Hadone on their recent collaboration. On the production side, Voiski is a very prolific musician. With more than 200 tracks and 20 EP’s, his compositions are released on the creme de la creme of labels including Bassiani, Mama told Ya, L.I.E.S, Dekmantel, ARA and Delsin. In a time when the techno world often can give the impression of “the harder, the better”, Voiski is not afraid to admit he wants his music and DJ- sets to contain groove and is all about proposing an alternative sound for a deeply charismatic techno which can speak to everyone.
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Shinsuke Goto(Mitsuki/Lapita)
Shinsuke Goto has honed his craft as a manager at Mitsuki, one of Tokyo's most iconic venues of the 2020s, while developing a flexible musical sensibility and refining his DJ skills. Currently, he is responsible for curating the program at Mitsuki, where he also runs AFTER LIFE, the venue's only regular techno party, which has been held bi-monthly
since 2022. As a resident DJ, he has earned deep trust within the local scene. Building on appearances at Rural, one of Japan's leading festivals, and Wonderfruit, one of the largest festivals in Asia, he has expanded his name and reputation internationally,
performing at renowned Berlin clubs such as Tresor and Sameheads. What makes Shinsuke truly stand out is his proactive approach and passion. He fully embraces both the inevitable effects and the spontaneous moments of dance music, transforming them into his unique DJ output. While rooted in techno, he is constantly driven to incorporate new sounds. His deep selections demonstrate a sharp insight that allows him to take control of the space, while his ability to create resonance can ignite the dancefloor. At times, he even becomes a driving force that moves entire communities. Sharply attuned to the "now," Shinsuke guides his audience beyond, into
what lies ahead.
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DJ MARIA.
DJ MARIA. Elevating Tokyo’s Techno Scene to New Heights
Hailing from Osaka and currently based in Tokyo, DJ MARIA. has been strengthening her presence as a key figure in pushing the boundaries of the city’s techno scene, which has evolved alongside diverse cultural influences. Over the past few years, her impact on the international DJ circuit has led to her recognition as a symbolic artist of Tokyo’s—and Japan’s—new-generation techno movement.
Her DJ style captivates audiences with its immersive storytelling, seamlessly transitioning between groovy techno rhythms that energize the body and trance sounds that deeply engage the mind. This sensory-driven approach leaves a lasting impression, often making her sets one of the most memorable highlights of the night. If the mood is right, she skillfully incorporates a wide range of genres, including downtempo, house, and ambient, ensuring that each mix remains a personal and interactive dialogue with the audience.
DJ MARIA., whose sound embodies both remarkable originality and versatility, has been earning praise from promoters of major global festivals and renowned clubs alike. She has performed at techno hotspots such as Berghain in Berlin and Bassiani in Georgia, as well as at more underground favorites including Acquario Masada in Milan, Elysia in Basel, and the now-closed but iconic De School in Amsterdam.
In addition to her club appearances, she has been featured at outdoor festivals like La Nature in Belgium, Monument in Norway, BOOM in Portugal, Nation of Gondwana in Germany, and Draaimolen in the Netherlands—bringing her signature, open-air dance music experience to international audiences in the environments where she thrives most.
As a producer, she has released the "Acid Sunrise" EP on the Beyond the Galaxy label. She has also contributed tracks to compilations by Deep Fundraisers and Bassiani Records, supporting humanitarian efforts in Ukraine.
Beyond her performances and productions, DJ MARIA. is actively involved in Japan’s emerging outdoor festival scene. She is a core member of the organizing teams for Moment, a festival held in the breathtaking hidden landscapes of Tenkawa Village, Nara, and Transcendance, an event focused on psychedelic experiences.
For DJ MARIA., music is an endless journey of exploration and human connection, with each set representing a new adventure. Through her craft, she guides audiences into the boundless depths of sound, embodying the transformative power of music.

