
GUY J's We Are Lost Festival presented by SET Underground
San Francisco Concerts & Events
ā
San Francisco
Saturday, September 13 at 4 pm PDT
House
Techno
No Venue
Saturday, September 13 at 4 pm PDT
House
Techno
No Venue
Details
Artists
Description
888 Garage
888 Marin Street
San Francisco, CA 94124
Join us for a day to night 10 hours festival with 2 stages outdoor and indoor.
*SET UNDERGROUND San Francisco presents*
WE ARE LOST
Saturday, September 13th
š§ Lineup š§
GUY J
GUY MANTZUR b2b KHEN
SAHAR Z
BUDAKID
GET YOUR TICKETS TODAY
This show will sell out in advance
21+ 4PM -2AM
IG: @SETUNDERGROUND
GUY J BIO:
Israeli producer Guy J has established himself as one of the most sophisticated and emotive producers in electronic music of the last decade, with a body of work and a sphere of influence that belies relatively short time in the spotlight. Whether it be his sensual, hypnotic take on house music, his deeply textured techno or his wondrous ambient material, his work is always touched with a magic and emotion that few rival.
Growing up, he was immersed in Israelās dance music culture, and a burgeoning scene that is known the world over for its epic parties. From its own Love Parade to major clubs and radio shows, the country has long been a bastion for underground electronic culture. āIf you looked for it, it was right thereā he recalls. But while the country was chiefly known as the worldās chief exporter of psy trance, Guy and his contemporaries have spearheaded an acclaimed new wave of Israeli house and techno music. āIām very sensitive person, so I think what I make is what I feel at the moment I make itā he explains of the deeply emotional qualities of his music. āI started as big fan of trance and progressive, and got exposed later on to techno and house\deep house. Iām trying to put all this together in my music; a bit of everything.ā
Guy started producing at the age of 14, amassing a wealth of equipment and experience and dedicating his life to learning the craft (āmy friends called my room āthe caveāā). His first release came at the age of 21, but it was his 2007ās gem Save Me that proved to be his real launchpad. John Digweed snapped up the glistening, dramatic slice of deeper house music up for his legendary Bedrock Records, setting in motion a chain of events that would change his life forever. āIt was like a dream coming true. I never knew it would lead me to having two albums on a label that I really grew up with.ā
Its sublime Depeche Mode-esque synth work pointed to a talent that surprised considering his short time releasing records, and his ascent from hereon was steady and rapid. His debut album Esperanza gained plaudits in 2008 with its classy, ethereal blend of progressive house, techno, electro and electronica, while the follow-up 1000 Words went deeper still over two discs of expansive soundscapes and intricate dancefloor explorations. āI always wanted to make an artist album and to give another aspect of my musicā he says. āWhat is magic for me in house music is that you can hear "real" music and also dance to it. There are so many emotions involved in it, but itās ultimately there to create a good vibe, and to make you dance. But to make an artist album is a way for me to deliver pure music.ā Itās this balance of the organic and the electronic, the visceral and the mental, that make his music so captivating and wide in its appeal.
Never one to be pigeonholed, his portfolio is a diverse beast, with releases finding their way onto Tigaās increasingly eclectic Turbo imprint amongst others. To feature on two labels that are essentially synonymous with two very different scenes is testament to his versatility, and above all, the quality and conviction of his productions. āI don't see myself as producer of one genre only; I believe in exploring and trying different stuff when you have all the tools you need to createā he clarifies. āTo be signed to Turbo... itās also amazing as it a big label that has its own crowd of people who listen to a certain type of music, and to be part of it is great.ā
2012 sees Guy kick off an exciting new project with his close colleagues and friends at Bedrock: his very own imprint āLost & Foundā, a sub-label for John Digweedās long running mothership where heāll release music by himself and his favourite producers. Then thereās the small matter of a release on Cocoon, one of the most highly regarded labels in techno and beyond, and some exciting collaborations in the pipeline with some other inspiring artists. As always with this unique talent, itās quality, not quantity. Each of his releases is met with a swell of anticipation, and for once in this often over-hyped world, itās fully justified.
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Cancellation Policy
TICKETS & TABLES SALES ARE NON-REFUNDABLE, ALL SALES ARE FINAL. By Purchasing a ticket to this event, I agree that ticket & table sales for this event are NON-REFUNDABLE and all sales are FINAL. By purchasing a ticket or reserving a table, I assume responsibility at my own risk and have no rights to a refund if this event is canceled for any reason including but not restricted to: divine intervention, natural catastrophe, government intervention, new COVID-19 restrictions or personal perspective & evaluations. This event is rain or shine.
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