Foxwarren with Allegra Krieger at Underground ArtsThursday, September 25, 2025 Doors: 7:30 PM | Show: 8:30 PM 21+ About Underground Arts Visit undergroundarts.org for venue details including how to get here, parking, FAQ, UA Merch, Private Events, & everything else - Food, Concessions + Drink Menus | Venue FAQ | Contact Info - About Foxwarren Website | Facebook | Instagram | YouTube | Spotify | Apple Music Foxwarren is Andy Shauf, Avery Kissick, Darryl Kissick, Dallas Bryson, and Colin Nealis. The Canadian quintet, built on 20 years of friendship, ostensibly plays folk music, where warm tones and cantering rhythms buoy songs of characters wrestling with existential quandaries inside of twilit vocals. But after touring their lauded 2018 self-titled debut, Foxwarren decided to do it all differently, eventually dropping the familiar band-in-a-room routine to instead plug those songs, and various other sounds into a sampler. The result is mesmerizing and uncanny, an album that traces two sides of a relationship through 37 minutes of collage art that aspires to “sound best blasting out your car window” as put by singer Andy Shauf. By himself, Shauf has already had a stellar career, his reputation built not only by the sweetness of his melodies and sharpness of his words but also his inability to rest with past success. Foxwarren, especially here, is a crucial part of that ongoing process, but 2 represents something even more significant—five friends now nearing the end of their second decade making music together, pushing against what they’ve learned how to do in order to venture somewhere new. It is the sound of friends who trust each other, cutting themselves loose from their past and their preconceptions to have some fun with a sampler and the very idea of songs. About Allegra Krieger Website | Bandcamp | Instagram | Spotify | Apple Music Art of the Unseen Infinity Machine, Allegra Krieger’s second full-length album with Double Double Whammy, is a collection of 12 songs that pick at the fragile membrane between life and death. The titular ‘infinity machine,’ as Krieger puts it, “is an accumulation of interlocking forces that propel humanity forward through a persistent passage of time.” Krieger’s previous album, I Keep My Feet on the Fragile Plane, hewed more closely to the domestic spaces of city and mind. Rolling Stoneregarded the album as “ten songs of heady philosophical meanderings packed with emotional dynamite,” and likened her “finely phrased lyrics” to those of “Joni Mitchell, Leonard Cohen, [and] David Berman.” Krieger’s existential meditations remain on Art of the Unseen Infinity Machine, however her meandering melodies have taken on a stronger sense of direction. She narrates candidly and assertively; the full-band arrangements never overpower, only offer a robust platform on which Krieger’s voice reaches new heights. Krieger describes her newest work as “more outward looking, more questioning. These songs,” she says, “are obviously extremely personal. But they also sucked the whole world in.”