Something’s happening to the faster side of dance music. Maybe it’s the hyperactive influence of juke’s chopped-up 808s, the embrace of dubstep’s half-time flow at a higher tempo or perhaps it’s simply the ongoing evolution of the mutation started by dBridge and the Autonomic podcasts. Whatever the origin, that spectrum of music between 160 and 170bpm is sounding utterly vital once again. Sam Binga has placed himself firmly at the centre of this new wave, with releases on some of dance music’s most respected underground labels – 50 Weapons, Exit and Critical.