The Reverend Horton Heat with Nathan & the Zydeco Cha Chas at Ardmore Music Hall Friday, June 13, 2025 Seated Doors: 6:45 PM | GA Doors: 7:15 PM | Show: 8:00 PM 21+ Unless with a Parent or Legal Guardian About The Venue - Food, Concessions + Drink Menus | Venue FAQ | Contact Info About The Reverend Horton Heat Website | Facebook | Instagram | X (Twitter) | YouTube | Spotify With their hot-rodded fusion of dazzling high-speed guitar runs, thundering rhythms, high-profile swagger, and lyrical smirk, the Reverend Horton Heat are perhaps the most popular psychobilly artists of all time, their recognition rivaled only by the esteem generated by the genre's founders, the Cramps. The Reverend (as both the band and its guitar-playing frontman are known) built a strong cult following during the '90s through constant touring, manic showmanship, and a barbed sense of humor. The latter was nothing new in the world of psychobilly, of course, and Heat's music certainly maintained the trashy aesthetic of his spiritual forebears. The Reverend's true innovation was updating the psychobilly sound for the alternative rock era. In their hands, it had roaring distorted guitars, rocked as hard as any punk band, and didn't look exclusively to the pop culture of the past for its style or subject matter. Most of the Reverend's lyrics were gonzo celebrations of sex, drugs, booze, and cars, and true to his name, his early concerts often featured mock sermons in the style of a rural revivalist preacher. On their 1992 debut Smoke 'Em If You Got 'Em, the group established the template of their no-frills, high-intensity approach to rockabilly, and though celebrity producers helped beef up the sound of their next two albums -- Gibby Haynes of the Butthole Surfers on 1993's The Full Custom Gospel Sounds and Ministry's Al Jourgensen on 1994's Liquor in the Front -- the Reverend's essential style changed little with time. They would explore a more introspective side on 2004's Revival, embrace their country influences on 2009's Laughin' & Cryin' with the Reverend Horton Heat, and add a pianist to the mix on 2018's Whole New Life, but on-stage and in the studio, Jim Heath and his bandmates could always be depended upon to deliver some of the twangy fire that their fans loved. About Nathan & the Zydeco Cha Chas Website | Facebook | Instagram | X (Twitter) | YouTube | Spotify Williams started his professional music career at 21, just five years after high school, recording singles for his brother's El Sid label. Sid also opened a venue in Lafayette, El-Sid-O's, where Nathan became a staple performer on Friday nights. Williams' big break came when Buckwheat Zydeco recommended him to Rounder Records, which was searching for an accordionist after Buckwheat left for Island Records. Nathan auditioned, secured a recording contract, and in 1985, he founded Nathan & the Zydeco Cha-Chas, inspired by a Chenier instrumental. The band debuted at the New Orleans Jazz & Heritage Festival in 1988. In November 1992, the Cha Chas played at the New Orleans Rock n' Bowl for the first time, paving the way for regular zydeco nights there starting in spring 1993. Nathan's 1997 live album, "I'm a Zydeco Hog: Live at the Rock 'N' Bowl, New Orleans," captured the energy of these performances. They also celebrated the venue's 30th anniversary in 2018. The New York Times once noted that Williams, at 25, was "poised to become important" in revitalizing zydeco. His music blends zydeco, jazz, blues, and R&B, with most of the band’s original songs penned by Williams. For over three decades, Nathan & the Zydeco Cha Chas have toured extensively, performing everywhere from local Louisiana spots to international stages in countries like Austria, Spain, France, Japan, the Netherlands, Turkey, Germany, and even Poland, a first for a zydeco band. Join Ardmore Music Club | Private Events | AMH Merch