
Josh Radnor - The Eulogy II Tour
Ardmore Music Hall
∙
Philadelphia
Sunday, May 18 at 3 pm EDT
Concert Venue
Sunday, May 18 at 3 pm EDT
Concert Venue
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Details
Description
Josh Radnor (The Eulogy II Tour) with Michaela Anne at Ardmore Music Hall
Sunday, May 18, 2024
Seated Doors: 1:45 PM | GA Doors: 2:15 PM | Show: 3:00 PM
**Early Matinee Show**
21+ Unless with a Parent or Legal Guardian
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About Josh Radnor
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In early 2022, exiled from his Los Angeles home and reeling from an intense breakup, actor-writer-director-songwriter Josh Radnor sought refuge in close friends and good music. He drove to Nashville, Tennessee with his dog, Nelson, and roughly fifty original songs in tow. There, despite the heartache that initially led him South, Radnor found deep peace, immersing himself in what would eventually become his debut solo album, Eulogy: Volume I + II. The process of sifting through the emotional complexities of love, loss, death, identity, grief, and redemption grew into a powerful outlet for healing. It also resulted in twenty-three beautifully minimal, meditative, and stirring folk-Americana tracks—a double-album debut, the first volume of which is set for release in 2023.
Songwriting is nothing new to Radnor, who began making music in 2013 with friend and celebrated Aussie artist, Ben Lee. The pair released two albums as Radnor & Lee—a self-titled debut in 2017, followed by sophomore album Golden State in 2020—and toured the U.S. together, playing small local venues as well as international gigs in Brazil, Argentina, and Australia. Bolstered by the crowd response to Radnor & Lee and enthusiastic support from musician friends, Radnor picked up a guitar along the way and began writing his own melodies and lyrics. Then, in 2021, he dropped his debut solo EP, titled One More Then I’ll Let You Go, via Flower Moon Records.
About Michaela Anne
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Michaela Anne had no way of knowing what lay ahead when she began writing her gorgeous
and aching new album, Oh To Be That Free—sobriety, pregnancy, a global pandemic, and the
hemorrhagic stroke that would nearly kill her mother were all just around the corner—but
listening back in the warm glow of hindsight, it’s almost as if she was writing a survival guide for her future self. The songs are profoundly vulnerable here, hinting at everything from Brandi
Carlile to Kacey Musgraves as they reckon with the flaws and faults that keep us up at night,
and Michaela’s delivery is tender and empathetic, insisting that we’re worthy of love not in spite of our shortcomings, but because of them. And so the freedom Michaela sings of isn’t the wild freedom of youth or rebellion, but rather the spiritual freedom that comes from learning to accept what is rather than what ought to be, from learning to appreciate what you have rather than what you want, from learning to look in the mirror and love the person staring back.
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