Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance. RESCHEDULED FROM 10/17/24 AT POLARIS HALL TO 3/9/25 AT MISSISSIPPI STUDIOS. TICKETS PURCHASED FOR THE POLARIS HALL DATE WILL BE HONORED AT THE MISSISSIPPI STUDIOS DATE. If there is any artist who could be considered as having followed a tangential path from Hendrix to Big Star to Spacemen 3, that would be The Bevis Frond… and that’s not hyperbole, the evidence is to be found in countless albums over 30 years of thrilling musical innovation that few have matched. Filtered through The Groundhogs, The Who, Neil Young, Captain Beefheart and Kevin Ayers, this is an iconoclastic collision of distinctly British psychedelia, space-rock, grunge, slow-burning soulful laments, even grizzled folk and more than occasional moments of sublime pop genius. Yet, he remains the best kept secret in Rock ‘n’ Roll – isn’t it about time you discovered one of England’s finest songwriters and insightful lyricists. The Bevis Frond is guitarist and songwriter extraordinaire Nick Saloman who’s prolific output has seen him hailed as “a Hendrix devotee ever bit as tough and contemporary as the serrated guitar chorales of Sonic Youth and Pixies” by Rolling Stone’s David Fricke and become a cult figure in his own right. A labour of love and fiercely independent with an uncompromising vision under his own label Woronzow, Saloman is also ex-co-publisher of respected ‘Ptolemaic Terrascope’ psych magazine and owner of Sussex-based second-hand record shop. Revered by his contemporaries he has remained firmly on the periphery whilst being hugely influential. Saloman has released no less than twenty-two albums under The Bevis Frond name with many collaborations and releases under various pseudonyms. Sounding as bracing today as he did then, he constantly writes with his musical journey beginning as The Bevis Frond Museum and later The Von Trap Family. Following a motorbike accident that almost left him unable to play, he revived The Bevis Frond name using his compensation to set up a basic home recording studio. Armed with a four-track portastudio he began recording his completely self-made stunning debut ‘Miasma’. Playing and writing everything on ‘Miasma’ the record was released through his label. Following a call from Margate’s Funhouse Records who specialised in psychedelia they requested the album. A few weeks later requested more copies, completely taken back and now completely sold-out, he repressed. The next year tripped out ‘Inner Marshland’ (1987) followed with the anglophile’s dreamscape of “Termination Station Grey” and epic psych-blues-rock rave up of “I’ve Got Eyes in the Back of My Head”. ALL SALES ARE FINAL. PLEASE, DOUBLE CHECK YOUR ORDER BEFORE PURCHASING. NO REFUNDS. MOSTLY STANDING / LIMITED BALCONY SEATING THIS EVENT IS 21+ VALID US OR CANADA ID REQUIRED FOR ENTRY. GUESTS TRAVELING FROM OUTSIDE US/CA MUST PRESENT A VALID PASSPORT.