Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance. w/ Drumming Bird Katie Pruitt is living proof of music’s power to transform the way we experience the world. Soon after the arrival of her acclaimed debut Expectations—a 2020 LP on which she documented her journey in growing up queer in the Christian South—the Georgia-bred singer/songwriter/guitarist heard from countless listeners that her songs had impacted their lives on an elemental level. With her sophomore album Mantras, the Nashville-based musician now looks inward to explore such matters as gender identity, self-compassion or the lack thereof, and the struggle for peace in times of chaos and uncertainty—ultimately arriving at a body of work that speaks to the strength in undoing harmful self-beliefs and fully living your truth. Mainly produced by Collin Pastore and Jake Finch (known for their work with boygenius and Lucy Dacus), Mantras delves deeper into the empathetic storytelling and incisive self-examination that defined Expectations—an album that earned Pruitt a nomination for Emerging Artist of the Year from the Americana Music Association and drew praise from major outlets like Rolling Stone (who hailed Pruitt as a “dynamic new presence”) and Pitchfork (who noted that “[h]er songs are patient but determined, navigating serious subjects with quiet familiarity”). This time around, Pruitt sets her lived-in lyricism to a folk-leaning sound informed by her love for the more experimental edges of indie-rock, stacking her songs with plenty of propulsive grooves and overdriven guitars as well as working with musicians like string arranger Laura Epling (Orville Peck, Spencer Cullum). Although several songs took shape with the help of co-writers like singer/songwriter Ruston Kelly (Bethany Cosentino, Amanda Shires), Pruitt wrote most of Mantras on her own and imbued her lyrics with an expansive element of autobiography. In penning the album-opening “All My Friend  (Are Finding New Beliefs),” she mined inspiration from a Christian Wiman poem of the same name, dreaming up a fuzzed-out and summery track etched with both self-aware reflection and sharp- witted observation on the search for clarity and purpose. Next, on “White Lies, White Jesus and You,” Pruitt shares a hazy yet frenetic meditation on hypocrisy in religion, tapping into her intense frustration with conservative Christian ideology. A profoundly introspective album, Mantras turns the lens on her own inner life with songs like “Self Sabotage”—a gloriously cathartic track that opens up about her struggle with negative thought loops. Meanwhile, on “Blood Related,” Pruitt presents a raw but poetic rumination on how family can sometimes feel like strangers, enlisting her mother as a background vocalist and embedding the track with audio recordings of her father and brother from old home videos. And while Mantras often pushes into emotionally heavy terrain, its songs frequently echo the radiant sense of joy and discovery that defined the album-making process. On “Naive Again,” for instance, Pruitt infuses the bright and dreamy tones of glockenspiel and xylophone into her melancholy contemplation on loss of innocence. ALL SALES ARE FINAL. PLEASE, DOUBLE CHECK YOUR ORDER BEFORE PURCHASING. NO REFUNDS. MOSTLY STANDING / LIMITED BALCONY SEATING THIS EVENT IS 21+ VALID US OR CANADA ID REQUIRED FOR ENTRY. GUESTS TRAVELING FROM OUTSIDE US/CA MUST PRESENT A VALID PASSPORT.