**Cursive with Gladie Underground Arts** **Wednesday, October 30, 2024** **Doors: 7:00 PM | Show: 8:00 PM** **21+** **Visit https://undergroundarts.org** for venue details including how to get here, parking, FAQ, UA Merch, Private Events, & everything else **About Cursive** cursivetheband.com Over the past two decades, Cursive has become known for writing smart, tightly woven concept albums where frontman Tim Kasher turns his unflinching gaze on specific, oftentimes challenging themes, and examines them with an incisively brutal honesty. 2000’s Domestica dealt with divorce; 2003’s The Ugly Organ tackled art, sex, and relationships; 2006’s Happy Hollow skewered organized religion; 2009’s Mama, I’m Swollen grappled with the human condition and social morality; and 2012’s I Am Gemini explored the battle between good and evil. But the band’s remarkable eighth full-length, Vitriola, required a different approach -- one less rigidly themed and more responsive as the band struggles with existentialism veering towards nihilism and despair; the ways in which society, much like a writer, creates and destroys; and an oncoming dystopia that feels eerily near at hand. **About Gladie** gladie.net Don’t Know What You’re In Until You’re Out, the second full-length record from Philadelphia band Gladie, opens with a contemplative instrumental called “Purple Year.” Along with acoustic strumming and a late-night wall of cricket-chirps, cello and gentle horn runs set a dewy, moonlit stage before second track and single “Born Yesterday” bursts alive with drums, bass, and bright guitar chord crunch. It’s like a cold, heart-jolting morning plunge as Augusta Koch’s familiar Philly tenor starts in: “It takes me more time, I’m a little unsteady/I was born yesterday, I forgot I could be somebody.”Koch realized while writing these songs that she had become an entirely different person: a mental, spiritual, and physical renaissance had unfolded over several years that, together, constituted an entirely new reality. Everything had changed, from relationships with friends to relationships with alcohol. Being on the other side of these tectonic shifts offered the sort of clarity that you can only get by going through the darkness: You Don’t Know What You’re In Until You’re Out. It’s optimistic, but it’s scary, too—life changes always are. Who will you be at the end of them? “Born Yesterday,” which Koch wrote about not drinking alcohol anymore, offers a critical revelation that guides the record, and which was hard-earned while experiencing the overwhelming emotional acuity that developed while living without alcohol: “The way I feel, I could fill the ocean/When the wave comes crashing in, it said I’m not a fixed thing/I’m changeable.” Underground Arts Presents This is a 21+ event