facebook I IG I twitter I tik tok I soundclound Luna Li is more than a musical project. It's a world unto itself, and a kingdom of its creator's making. For the Korean-Canadian, Toronto-based multi-instrumentalist songwriter, composer, and producer Hannah Bussiere Kim, the universe of Luna Li is hyperlush and inclusive by design. It's an evolving, musical transmission that takes its cues from nature's healing properties to explore vulnerability and identity. A blend of indie rock and psych; where experimental neoclassical morphs into pristine pop, Luna Li is the sound of an everyday symphony, crafted from the perspective of the female gaze. When the pandemic started, Li started self-recording instrumental interludes as a radical form of care. By letting others into spontaneous moments of creation, she made her process transparent and communal. Her self-recorded "jams" — video snippets of her constructing beats piecemeal — went viral many times over, racking up over 8 million streams and producing a fiercely loyal following. Its resulting self-titled EP garnered widespread acclaim ("Why aren't people queuing up to buy beats from this person?," asked The Needle Drop's Anthony Fantano.) and led to coverage in Fashion, Paper Magazine, i-D and a slot opening for Japanese Breakfast. In 2021 Li performed on the main stage of 88rising's "Head In The Clouds" festival, and in 2022 was selected as one of NME's Top 100 Emerging Artists. Luna Li's debut record Duality (featuring Jay Som, Dreamer Isioma, and beabadoobee) wrestles intimate, otherworldly questions to the ground in order to better understand the collective. Capable of both detonating an incendiary riff, or slipping into the splendor of celestial strings, the album's power lies in its most delicate moments. "Each song on the album has some element of light and dark," Luna Li says. "Where there's happiness there's still uncertainty; where there's anxiety there's also beauty; and where there's tension there's freedom." John Roseboro IG I youtube I tik tok I spotify Known for his buttery voice and distinct strumming, singer-songwriter and visual artist John Roseboro has been making a name for himself in the indie scene, redefining and innovating the genre from Brooklyn, NY. Building off of the likes of João Gilberto and Antônio Carlos Jobim, Roseboro’s post-bossa style carries other similarities to the greats in that his music focuses on personal and social justice, undertaking major concepts such as human rights, love, and religion, being described as "probably the music that will heal the world... impossible to be indifferent, in voice and soul.” John cites his upbringing, particularly his living with the Amish and years as a mortician, as informing his playing and perspective. The new artist has received praise from indie giants Field Medic, Thee Sacred Souls, Men I Trust, and Frankie Cosmos drawing comparisons to King Krule, Steve Lacy, Elliott Smith and Seu Jorge. After independently garnering a loyal online and live show audience and self-releasing the culturally acclaimed ‘Johnny’, Roseboro has returned with “Four Cantos, moving the culture forward with no end in sight.