Completing their seventh studio album was a hard-won victory for The Milk Carton Kids, but I Only See the Moon was worth the effort for Kenneth Pattengale and Joey Ryan. What started as a three-week recording session in the fall of 2021, with Pattengale producing the contemporary folk duo himself for the first time, stretched into a months-long project that found the pair digging deeper into their craft than ever before. With a new studio of their own in Los Angeles and the realization that they were in no hurry, The Milk Carton Kids took the time they needed to be fully satisfied with I Only See the Moon. The three-time Grammy nominees sound refreshed on 10 new songs distilled to the essence of The Milk Carton Kids: two voices blended together in spellbinding harmony, accompanied by subtly perfect acoustic instrumentation. Turns out that's a tough sound to get just right, but I Only See the Moon shows just how much Pattengale and Ryan were willing to work for it. Andrew Combs Though born and raised in Dallas, Texas, Nashville-based singer-songwriter and artist Andrew Combs can’t say for certain he identifies with any one place in particular. Through years of drawing on ethereal and visceral beauty wherever he can find it, his work is more accurately a measured synthesis of a wide array of “places”: the literal and the figurative, those he has been to and others he has yet to see. His newest full-length album, Sundays (out August 19, 2022), is reflective of those varied places that inform Combs’ creative work. Written on the heels of a mental breakdown Combs had at Christmas of 2020—amid the long, monotonous grind of an ongoing global pandemic—Sundays came together in Nashville in early 2021. In the wake of this debilitating psychological crack-up, Combs turned to the practice of transcendental meditation to find balance and to, in the words of surrealist director David Lynch, “catch the big fish”. Alongside his collaborators, Jordan Lehning and Dominic Billet, Combs would go into the studio every Sunday, the goal being to capture a song he had penned the previous week as he plumbed the depths of his own heart and mind.