Legendary Songstress REGINA BELLE and 90's R&B Group SURFACE with very special guest DW3. SURFACE Biography SURFACE featuring David Pic Conley is the founding member of the platinum R&B recording group Surface. Born in NJ, David started his career after graduating high school when he moved to Los Angeles. David was a member of Port Authority and Mandrill before forming Surface. Conley was born in Newark, New Jersey. Shortly after graduating high school Conley purchased his first instrument, a flute, for $10 with the idea he sell it for double price. It was fate. Conley took the flute home and instead started playing it. Teaching himself how to play he has never put it down since. Taking a leap of faith Conley began his professional career when he moved to Los Angles with David Townsend. It was there he joined the group Port Authority in 1976. After an un-released record with 20th Century Records Conley left the group to join Mandrill in 1977. In 1978 he made his television debut with Mandrill performing on the popular show Soul Train hosted by Don Cornelius. Conley released only one album with Mandrill, New Worlds, in 1979. Conley left the group and after a short hiatus Townsend and Conley collaborated on the beginnings Surface… Read more When Conley became the founder of the Multi-Platinum Soul/R&B group Surface in 1983 the original group consisted of Conley and Karen Copeland. Townsend collaborated by writing and producing. In that same year Surface released their debut single, Falling in Love performed by Copeland, which peaked at #84 on Billboard’s Black Singles chart, staying on the chart for 4 weeks. In the U.K., the song peaked at #67 on the U.K. Singles chart. In addition Surface recorded 2 more singles with her; When Your Ex Wants You Back and Stop Holding Back. After Copeland left the group in 1984 Bernard Jackson and David Townsend replaced her by becoming the Surface we know today. More success came in 1985 when Conley became a staff writer for Screen Gems BMI. Shortly after in 1986 Surface landed a record deal with Columbia leading them to release their debut album in 1987. The album peaked at #55 on the Billboard 200 and #11 on Billboard’s R&B Albums chart. In 1989, Surface released their sophomore album, 2nd Wave which peaked at #56 on the Billboard 200 and #5 on Billboard’s R&B Albums chart. The album was certified Platinum by the RIAA. The single Shower Me With Your Love peaked at #5 on the Billboard Hot 100, #3 on Billboard’s Adult Contemporary chart, and became Surface’s second #1 R&B hit, topping Billboard’s Hot Black Singles chart for a week in July of 1989, staying on the chart for 20 weeks. In addition to Conley’s long and accomplished career with Surface he has written and produced songs for some of the greatest artists of yesterday and today. Some include; Aretha Franklin’s Grammy nomination title track What You See Is What You Sweat, Gwen Guthries #1 single Aint Nothin Goin On But the Rent, Issac Hayes’ album U-Turn, Jermaine Jackson’s #1 single Don’t Take It Personal, Rebbie Jackson’s album R U Tuff Enuff, New Edition’s Lets Be friends, Immature’s Pay You back, Victoria Beckham and Damon Dash’s This Groove, and so many more. He has also worked with Stanley Jordan, George Benson, O’Town, Tyrese, and the list goes on. Conley is also a certified audio engineer and graduate of Institute of Audio research N.Y. Currently Conley is in the process of completing his smooth Jazz album while promoting his new rising artist Yaygos from Las Vegas. Conley’s album is his rendition of R Kelly’s Step In the Name of Love. DW3 Biography Since 2003, brothers Eric and Billy Mondragon and close family friend Damon Reel have set the high energy mood on cruises (Smooth Jazz Cruise, Dave Koz Cruise, Soul Train Cruise & 80’s), at jazz festivals, showrooms and clubs, including hundreds of performances at their longtime home base of Spaghettini in Seal Beach, CA. They also played a key role on Dave Koz and Friends’ Grammy nominated Summer Horns project. With four Billboard charting hits – including “I Got You” (featuring Gerald Albright) and “Let the Music,” “I Can’t Tell You Why” and “California Dreamin’” from their hit 2013 & 2015 albums On the Floor & Vintage Truth – DW3 have also established themselves as a popular national recording group. The three chose to self-title their latest Woodward Avenue Records recording to reflect the culmination of their steady and inspiring evolution from ultimate, first call party band to multi-faceted artists, songwriters and producers fulfilling their own singular musical vision. While their previous albums were produced by greats like Paul Brown (On the Floor, 2013) and the late Ricky Lawson (Vintage Truth), DW3 marks a major breakthrough as the first time Eric (vocals, keyboards), Billy (vocals, percussion) and Damon (vocals, engineering, editor) have helmed an entire project themselves. Since the release of Vintage Truth, the group has spent their rare down time from the stage building their own state of the art recording studio (complete with rehearsal space and a listening room) in El Monte, CA with the help of the Rico Caudillo, owner of ESS Labs, a prominent headphone and speaker company DW3 endorses. To help them flesh out their vision, they invited high-octane urban jazz power to the mix with guest saxmen Boney James, Richard Elliot and Eric Darius and some of the world’s biggest studio guns. These include Bryant Siono (bass, guitar), Steve Carias (bass, keys, drum programming), Charles Streeter (drums), Carnell Harrell (keyboards), Rick Marcel (guitar), Brandon Brown (bass), Bobby Avila (harmonica, guitar, bass) and the three piece C-town Horns. Siono, Carias, Streeter and Harrell also served as co-writers and/or co-producers. The project also features a guest lead vocal by R&B Soulstress Rebecca Jade. Along with Rocky Padilla, co- producer of “Straight from the Heart" and Eric’s son Eric Mondragon, Jr. co-engineering. “We’re really excited about this album,” Damon says. “It took a lot of hard work and perseverance to get this amazing studio up and running and dive into the process. We’re grateful for everyone who worked with us to get us to this point. After years of being known just as a “Party Band" On the Floor was our intro to the Smooth Jazz world and earned us a lot of respect from that community. Ricky’s production on Vintage Truth took us to the next level, and now we’re able to take our artistry even further as writers, producers and arrangers.” “Sonically, our concept was to capture the same types of vibes we convey onstage,” Billy adds. “We’re a high energy live ensemble that also love lush, sensual ballads, and we kept that in mind when we were recording these new songs. We’ve had a lot of success with covers, and when we do our cover tunes, we’re all about the 70’s, 80’s and early 90’s, and our original material captures those eras with a fresh flavor. The album’s got a lot of grooving dance beats with some cool, smooth stuff in there to create the perfect balance. Our challenge was to integrate our old style with a fresh new sound and contemporary melodies. We still love doing classic songs, but the whole point of composing is to draw from those influences to move forward creating our own unique flow.” The set list for DW3 offers a perfectly artful balance between smooth, seductive ballads and up- tempo dance/funk jams. If you’re in the late night, slow swaying candlelight zone, the band’s got your number with the silky and sensual, blues tinged ballad “Like There’s No Tomorrow” (featuring Rebecca Jade) the hypnotic, slow simmering “Your Body” (featuring a silky solo by Boney James), the sexy and sultry “Groove With You” (also spotlighting Jade), and two compelling versions of DW3’s re-imagined Con Funk Shun classic “Straight from the Heart” – the second a stripped down, nearly a capella version featuring DW3’s sparkling vocal harmonies and the passionate sax intensity of Eric Darius. When you’re ready to groove, hit the 80’s spiced, synth-funk driven “Now That I’ve Found You,” the spirited, high octane party anthem “Let’s Have Fun Tonight” (featuring Richard Elliot on sax and EWI), and “Never Gonna Stop,” which Billy calls the band’s “El DeBarge meets Michael Jackson with a new hip, fun flavor to it.” Hailing from East L.A, California and growing up in the Los Angeles areas of El Sereno and Lincoln Heights, Eric and Billy began their musical careers in high school by playing club dates with their parents; their father is a bass player, and he and their mom are singers. DW3, an outgrowth of that original family band, which took the Mondragon’s sound and professionalism to the next level, has been an evolving collective of musicians since then. Damon, born in South Central L.A, also had musical influences by his parents. His mother and father have been playing and singing in the church for over 40 years. The core (Down With 3) members since 2003 are Eric, Billy and Damon. They became an integral part of the contemporary Urban Jazz scene in 2004 when they played on the first Warren Hill Smooth Jazz Cruise and were subsequently booked as resident performers at Spaghettini. Their first independent album release was Live at Spaghettini (2006), which they followed in 2008 with Life, Love and Music. While performing everywhere from the Newport Hyatt Jazz Festival, Mallorca Jazz Festival Brian Culbertson’s Napa Valley Jazz Getaway to Bagdad, Iraq for the US troops. DW3 has expanded their harmonic horizons performing with and singing background for numerous jazz and R&B legends and popular contemporary artists including, Marcus Miller, Brenda Russell, Patti Austin, Bobby Caldwell, Sheila E, Jonathan Butler, Jody Watley, Brian McKnight, David Pack, Evelyn “Champagne” King and the late great George Duke. “We are so blessed to have worked with so many incredible artists and musicians over the years,” Damon says, “and that continues on our new album with Boney, Richard, Eric, J. Lo’s drummer and bass player and guitarist who have played with The Jacksons, Kool & The Gang and many others. The three of us are particularly proud of this new album because it was a homegrown effort, with all songs joining together to form a cohesive vision while also having its own thing.” Billy adds, “I love all the different styles we’ve got. Sometimes when you listen to full albums, you’re hearing the same thing over and over, but here, we’re still interested from one song to the next. It’s definitely not the same old thing. Echoing his band mates, Eric says, “That’s why we wanted so much variety and chose only the best of all the songs we had. We wanted to keep everyone as excited listening to it as we were recording it. So many artists these days only release individual tracks or EPs with streaming in mind, but we’re fortunate to have the opportunity to provide full length CDs to our fans and totally embrace the old school charm of a full-on album project.” © 2020 DW3 Music Inc.