Shane Smith & The Saints play the historic Tower Theatre in Oklahoma City on November 22, 2019. DOORS AT 7 / SHOW AT 8 VENUE INFO - Box office and will call open 30 minutes before doors - Free parking lot directly south of the theatre across 23rd street - Full bar inside venue - ATM in the lobby - No weapons of any kind are allowed in the building - Visit our website for more information! BAND BIO On the opening track of Shane Smith & the Saints' new Hail Mary LP, "Heaven Knows," singer and guitarist Shane Smith lays bare the last four years of his band's journey. "We set our sails for deeper seas, heaven knows what we will find," he sings. Since releasing their last prior album, 2015's Geronimo, the Austin, Texas, five-piece have plunged ever deeper into their adventure as a touring band. Hundreds of shows a year in more than 40 different states and on three different continents, including visits to Ireland and Malaysia, have brought them to the 10stormy tracks that make upHail Mary, which will be released June 28th. Now three albums and nearly 10 years into their career, Shane Smith & the Saints are ready to go for broke. "It pretty much summarizes where we are as a band and where I am as an individual after pursuing this for practically the last decade," Smith says ofHail Mary. "We're a scrappy group of guys and this is more or less one of those moments where we're really trying to put it all out there. We're trying to give it our best shot on this record. "Recorded at the same hometown studio as Geronimo, Matt Noveskey (of Blue October)'s Orb Recording Studio, Hail Mary was produced by Mark Needham (Imagine Dragons, The Killers), marking the first time the band has worked with an outside producer. Inspired by Shane Smith & the Saints' reputation as a high-energy live act with stunning four-part harmonies, Needham focused on capturing that un-doctored chemistry in the studio. "A lot of these songs he had us in there with Shure SM58 microphones, live, in front of each one of the guys. He'd be actually using it for the final song rather than going in and overdubbing every single voice, which is a very rare thing," says Smith of the sessions, which were largely tracked live in the studio." That gave us a little more confidence hearing him build us up on that whole thing." That extra self-assuredness comes through in each of Smith's roaring vocals and in the band's stampeding melodies. From the crunching title track to the slow burn of "Oklahoma City" to the triumphant blaze of glory that is "Parliament Smoke," Hail Mary crosses the gritty, blue-collar storytelling of Bruce Springsteen with the singsong hooks of Mumford & Sons. Most of all, it's an album with a lot of heart. "I don't like just throwing stuff out there. If I'm going to be singing about something every night, I try to make it personal, make it something I can really relate to," says Smith, the band's lyricist and primary songwriter. "I like to sing with conviction, an honest conviction." Having first started playing music while he attended college in Austin, Smith follows in the footsteps of such Lone Star songsmiths as Ray Wylie Hubbard, Hayes Carll, and Ryan Bingham. A native of Terrell, Texas, about an hour outside of Dallas, Smith first headed to Tyler Junior College in East Texas, where he was part of the tennis program. But he was soon lured to the "Live Music Capital of the World," where he attended St.Edwards University and soon connected with another group of players, those who now make up the Saints. Today that group includes Bennett Brown on fiddle, Dustin Schaefer on lead guitar, Chase Satterwhite on bass, and Zach Stover on drums.Much like the care that Smith puts into his lyrics, the Saints have been deliberate in crafting the recorded material. Their first album, Coast, was released in 2013, and featured appearances by fellow Texas underdogs Aaron Watson and Ryan Engleman. Two years later came Geronimo, which Smith sees carrying a similar sort of double meaning to Hail Mary. "The title track did talk a lot about the historical figure, but it was a leap of faith thing as well, where we were as a band truly trying to find our sound," he says of the band's sophomore effort.