United States

Las Vegas

Nevada

Zachary Channing Fox (born December 6, 1990) is an American stand-up comedian, rapper, writer, actor, illustrator and internet personality from Atlanta, Georgia. He has collaborated with Kenny Beats, Flying Lotus, and Thundercat.

Zack Fox

AEG Presents is thrilled to announce THUNDERCAT live at Red Rocks Amphitheatre Tuesday, October 10th, 2023.

Download the Red Rocks app before your visit. From digital ticketing with touchless entry, mobile ordering with express beverage pickup, park and venue maps, visitor tips, original Red Rocks content and more, the official Red Rocks app has everything you need for an unforgettable concert experience.

Thundercat - In Yo Girl’s City Tour 2023

Denver

Colorado

Red Rocks Amphitheatre is an open-air amphitheatre built into a rock structure near Morrison, Colorado, 10 miles west of Denver.

Red Rocks Amphitheatre

Canada

Vancouver

British Columbia

Commodore Ballroom is a renowned music venue, dance floor and nightclub located in Vancouver, British Columbia. The building was built in the Art Deco style of the late 1920s. Best known for showcasing special performances, the venue is also famous for its sprung dance floor, whose horsehair lining absorbs, rather than reflecting back, some of the impact of dancers’ feet. This stylish Art Deco Venue hosts world famous concerts and international corporate functions for up to 990 people. With state of the art sound and lighting and onsite catering services, the Commodore Ballroom is located close to all major hotels in the heart of downtown. Talking Heads, Tina Turner, Dire Straits, Dizzy Gillespie, The Beastie Boys, Kiss, Nirvana, The Police, Snoop Dogg & Dr. Dre, The Clash, Emmylou Harris and Paul Oakenfold are just a sampling of an unprecedented string of national & international touring acts to have played the Commodore Ballroom.

Commodore Ballroom

This event is All Ages

OFFICIAL TICKETS:
Etix is the official ticket partner and source of Wonder Ballroom.

Portland

Oregon

The Wonder Ballroom has been humming along as one of Portland’s busiest mid-sized concert venues for more than a decade. The room’s 778-person capacity allows it to host a wide variety of acts, from internationally touring folk singers to fast-rising indie rock bands to popular local artists. Offstage, the Wonder offers a top-flight experience, from its Spanish Revival-style architecture and spacious main floor to the full bar, basement café, and unobstructed sightlines from the balcony. It’s a comfortable place to see a show.

Wonder Ballroom

San Francisco

California

Agostino Giuntoli left Tuscany, Italy in 1922 at the age of 19 and sailed to America. He spent five years working his way to San Francisco and found a job as janitor at the famed Palace Hotel. From there he became a cook at a nearby establishment where his boss, Monk Young, was unable to pronounce his name and dubbed him “Bimbo”, the Italian word for boy. The name stuck for good.

In 1931, he and Young, now his partner, opened the 365 Club at 365 Market Street. San Francisco was weary of the Depression, needed some fun, and the 365 Club was there to provide it. The club was crowded with celebrities and stars from across America who were there to see and be seen. On stage, lines of long-stemmed chorus girls kicked high to the music; one of whom was Rita Cansino. Later, we would all know her as Rita Hayworth. Gin was served in coffee cups while everybody puzzled over the optical illusion provided by Dolfina, The Girl in the Fishbowl: She appeared to swim nude in the fish tank behind the bar… you can still find her there today.

When Bimbo’s moved to Columbus Avenue in 1951, the scene got even more exciting. SF Chronicle columnist, Herb Caen, caught it all and recalled, “Jugglers, dance teams, stand-up comics, crooners chantootsies, Stage Door Johns, a proper band in proper uniforms… Multi-course dinners, Red Sparkling Burgundy in the silver bucket, and a nice-bucketed lady in a silver fox stole topped by a gardenia bought by a ‘pro’ in the men’s room.”
Today the club is run by Bimbo’s son in law, Graziano Cerchiai, and his two grandsons, Michael and Gino Cerchiai. It is busy with private parties, special events, and concerts. Some of our corporate clients include Verizon, Apple, Amazon, Google, Oracle, and Yahoo!. Fundraisers have been very successful at the club for such organizations as Bring Change 2 Mind, 826 Valencia, and Center for Environmental Health. This glamorous nightclub has also presented popular artists such as Adele, Jamie XX, The Raconteurs, Coldplay, Robin Williams, The National, and Lizzo.

Some people come to Bimbo’s 365 Club to relive the good old days of San Francisco, others have their good old days for the first time. What they have in common is a venue that is destined to stand as long as San Francisco stands for good times.

Agostino Giuntoli left Tuscany, Italy in 1922 at the age of 19 and sailed to America. He spent five years working his way to San Francisco and found a job as janitor at the famed Palace Hotel. From there he became a cook at a nearby establishment where his boss, Monk Young, was unable to pronounce his name and dubbed him “Bimbo”, the Italian word for boy. The name stuck for good.

Bimbo's 365 Club

Zack Fox
18 & Over
Doors open at 7:00 PM
Also Appearing: Sky Jetta
All patrons are required to show a government-issued photo ID at the door in order to attend this event


We strongly encourage our customers to purchase tickets directly through Metro's website. The validity of tickets purchased through a third-party seller is not guaranteed. Please use discretion when purchasing outside of Etix. Entrance into Metro is only guaranteed with a valid ticket.

Chicago

Illinois

The Metro stage is a lot of things to a lot of people—a big break, a headliner’s dream, and even a wedding altar—but no matter what transpires under the nearly hundred-year-old roof, one thing remains the sole focus—the music.

Joe Shanahan began his journey in artistic propriety as a Columbia College graduate with a keen ear for the underground music shaking Chicago’s musical core. Shanahan spent his post-collegiate years trekking to New York and London to experience the happenings redefining the global arts community. He returned with an “act local, think global” business philosophy and an urge to fill the void in his home city’s art scene. Shanahan began throwing fringe gatherings in his loft, but soon the crowds, and his ambition, grew too large for the space.

It seems appropriate that a venue that’s blazed its own trail began with a band doing just the same. R.E.M., the off-kilter Georgians shaking garages and dorm rooms across the country, landed at Metro for a last-minute slot in Metro’s “big room.” With a five-dollar ticket and an enthusiastic crowd, Shanahan was left with enough cash to treat the staff to a round of pizza at the end of the night. He called Metro’s pilot show a resounding victory.

While the benchmark for success has changed over the years at Metro, the ideology has remained stalwart. Cross platforms; break boundaries; and pool talent from the local, regional and national levels. Local H took the stage with Nirvana’s groundbreaking set still settling into the stage’s grooves. Elliott Smith’s Chicago swan song rang through the building in the same month as Sleater-Kinney’s fiery feminist punk.

Metro isn’t in the business of simply buying talent, though—breeding the acts gracing the stage is engrained in the venue’s artistic credo. Year in and year out for over three decades, the Metro roster has maintained a delicate balance between national headliners and local up-and-comers. With every musical movement that has swept across Chicago—and the country—Metro has booked the key players on all platforms. From Joe Shanahan’s early championing of alt-rock pioneers Smashing Pumpkins to ushering in pop-punk royalty Alkaline Trio and Fall Out Boy and even Chance the Rapper’s recent meteoric rise to fame – countless Chicago artists have laid their roots in Metro as a business, sanctuary, and springboard.

The future is a straight line for most, but for Metro it’s a vast landscape—it’s a sprawl that continues to grow with every blink. One thing that is certain is that Metro will continue to serve as an artistic refuge that transcends the bricks and mortar of nightclub and rock venue—it’s an experience, an unforgettable one at that.

The Metro stage is a lot of things to a lot of people—a big break, a headliner’s dream, and even a wedding altar—but no matter what transpires under the nearly hundred-year-old roof, one thing remains the sole focus—the music.

Metro

Atlanta

Georgia

Established in 1989, and originally housed for an amazing 27 years in its legendary North Avenue location inside the historic Dupree’s Excelsior Mill, The Masquerade has presented most everyone who is anyone in the rock, alternative, indie, electronic, metal, punk and hip hop genres of live music.   The venue’s stages have played host to a list of artists which reads like a dessert menu of alternative music royalty.  Nirvana, Nine Inch Nails, Radiohead, Foo Fighters, Soundgarden and Fugazi once graced the same stages that are today occupied by Odesza, Death Grips, Future, In This Moment, Little Dragon, Taking Back Sunday and countless other amazingly popular and influential bands.

Its live music mostly consists of alternative music styles, such as indie rock, metal, punk rock, rockabilly, and electronic, ranging from local acts to ones internationally known. The Masquerade's three principal interior stages are named after the destinations of the afterlife: Heaven, Purgatory, and Hell — though they are now all on the same level with separate entrances. At the mill, Heaven was upstairs above Hell at the right (west) side of the building, with Purgatory as the bar area downstairs to the left, all accessed from a central entryway behind the box office with a stairway to Heaven.

Established in 1989, and originally housed for an amazing 27 years in its legendary North Avenue location inside the historic Dupree’s Excelsior Mill, The Masquerade has presented most everyone who is anyone in the rock, alternative, indie, electronic, metal, punk and hip hop genres of live music.   The venue’s stages have played host to a list of artists which reads like a dessert menu of alternative music royalty.  Nirvana, Nine Inch Nails, Radiohead, Foo Fighters, Soundgarden and Fugazi once graced the same stages that are today occupied by Odesza, Death Grips, Future, In This Moment, Little Dragon, Taking Back Sunday and countless other amazingly popular and influential bands.

The Masquerade - Heaven

Boston

Massachusetts

The Paradise Rock Club is a 933-capacity music venue in Boston, Massachusetts. Due to its relatively small size, it appeals to top local alternative rock performers as well as American and British bands visiting Boston for the first time. The venue accommodates small music festivals and non music related events. 

Paradise Rock Club

Toronto

Ontario

The Phoenix Concert Theatre is a nightclub and concert venue located at 410 Sherbourne Street in Toronto, Ontario, Canada.

It is 18,000 sq ft (1,700 m2) large and encompasses three distinct environments. The "Main Room" features one of the city's largest dance floors, leading edge sound and light, five bars (including a 50-foot (15 m) marble bar), 20x30 foot stage, a giant projection screen and one of the largest mirror balls in Canada.

"Le Loft" overlooks the main room, features an overhanging balcony which stretches the entire width of the club, lounge seating for over 100, and its own separate bar, custom artwork, and two television screens. The "Parlour" is reachable from the main room and the front entrance, features a separate sound system, a separate dancefloor and lighting system, a decorative bar, lounge seating and four pool tables.

The Phoenix Concert Theatre is a nightclub and concert venue located at 410 Sherbourne Street in Toronto, Ontario, Canada.It is 18,000 sq ft (1,700 m2) large and encompasses three distinct environments. The "Main Room" features one of the city's largest dance floors, leading edge sound and light, five bars (including a 50-foot (15 m) marble bar), 20x30 foot stage, a giant projection screen and one of the largest mirror balls in Canada.