In today’s heady climate of bass-f​uelled dance music it could easily be argued that produc​er-DJs are the new rock stars. Climbing into that mould with a pair of schoolboy grins on their faces, The Upbeats have already been playing that role for years. Their anythi​ng-goes live perfor​mances are renowned for mosh pits, topless dancers (sometimes women) and crowd surfing, while their approach to writing hard-h​itting, unique​-sound​ing drum & bass is lauded across the globe. Nicknamed Terror Snake and Downie Wolf respec​tively, Jeremy and Dylan are not your average, boring producers. Meeting at school through mutual interests in surfing, skating and ‘being gangly teenagers’ Jeremy had to work hard to pull Dylan into the world of drum & bass. But, armed with a stack of Mickey Finn & Aphrodite mixtapes and an unrelenting attitude, the snake soon overcame the wolf’s natural propensity for rock music and, fortunately for us all, a love of fast breakbeats and low-slung basslines soon followed. This love soon grew into a passion for creating their own music and by 2001 the pair were balls deep writing their own D&B. Fuelled by New Zealand’s isolation from the rest of the world and its staggering natural beauty, The Upbeats’ unique take on 170bpm+ bass music has seen the duo work alongside scene stalwarts such as Ed Rush & Optical, Bad Company, Hive, Gridlock, Bullet​proof, TREi, State of Mind and Noisia while releasing tracks across a plethora of the D&B scene’s most respected record labels.