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Precociousness in techno has its best and latestrepresentative in Marzenit. At the age of 11, while studying classical music inan music academy, he got his first synthesizer and at 14 he was walking aroundthe electronic music festival Sónar looking for electronic emotions. At the ageof 22 he performed his first live set at Florida 135. Only one year later, hecreated his first label, Paradigma Musik, which now has several internationalartists such as Paul Ritch, Henry Saiz, Gary Beck, David Keno and Gavin Herlihyamong others.
His first publications were received and demanded by themost selective circles of international electronic music. A few years later,his songs were being included in compilations of John Digweed, Sven Väth,Hernan Cattaneo, Wally Lopez, Secret Cinema and Tiësto. His latest productionsand remixes have been released in prestigious labels such as Cocoon, Bedrock,Traum, Natura Sonoris and Paradigma Musik.
Marzenit's prompt definition –concise vs. eclectic– of apersonal, unique and unprecedented style is what draws him apart from the othertalented 'techs'. In his productions and live sets there is an anabolic, epicand progressive techno, which provides intimate, fascinating glider melodies.What makes Marc unique in his work is his ability to impregnate sense andsensibility to that 'muscular' techno in an unusual and even paradoxical way.
After ten years on the stage, Marc has played all around theglobe; Australia, England, Argentina, France, Mexico, Canada, Holland, CostaRica, South Korea, and Brazil are some of the most recent venues for his liveand Dj sets.