Alex Poxada

Bio

ALEX POXADA Born 1983 in the great city of Chicago.

A City full of History & Nightlife, which he would leave to migrate to what he would call his home,

COLOMBIA. His love for music started in the early days of his childhood playing around with his father

records and tapes figuring out & improvising the junction of two songs.

At the age of 12 he managed to create his first mixes cutting & pasting pieces of tape with songs recorded

from the radio. His style of music was based on dark grooves, African / Latin tendencies (TRIBAL

HOUSE & TECHNO) and under the influence of such artist like Carl Cox & Danny Tenaglia Turning to

the age of 14 he got his 1st mixing equipment, however, this mixing equipment was lacking pitch which

made him acquire a great expertise in mixing due to difficult task of mixing with bad equipment. He

started throwing parties creating good musical vibes among the many who had the grace of hearing him.

Getting recognized by his outrageous talent at a young age (15) he was offered to play for the first time in

a club event (Club Mission) for New Years Eve in a Hangar @ Cali Colombia Airport with 3000 party

goers and two Boeing 747 for V I P S. After this unforgettable moment and opportunity given it made him

realize that he had an overwhelming desire of uniteing & entertaining people.

Alex took an early start on his way back to the US (Miami) were over the past years and till today’s date

he has played in most of the best & recognized Nightclubs in Miami such as SPACE MIAMI - Cameo -

Karu & Y - Mansion - Nikki Beach - Ultra Music Festival & last but not least World Known Mega

NightClub PACHA NYC .

2011 was a total sucess for Alex after playing in some great parties and sharing the Booth with talented

Djs Producers. His appeareance on the famous colombian tv show " el cartel de los sapos " impresively

gained recognition in south america. his record release charge ft vocalist alan 't was received

widespread support from such influential house music DJs/producers.

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