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Hailing from Los Angeles, California Rawtek is a DJ / Producing duo that take influences from tribal, caribbean, jungle and latin movements and fuses them effortlessly with the synthetic and electronic music of today’s world. Their sound has garnered multiple chart topping releases in Shakazulu (Rimbu Records, Na’Wal (Buygore), DA! (Mad Decent), Rude Bwoy (Dim Mak) and Lionmane (Barong Family). With their success on iTunes and beatport Rawtek was able to gain the support of heavy hitters: Diplo, Skrillex, Axwell Ingrosso, DJ Snake, GTA, Jauz, Bingo Players, Alison Wonderland and Party Favor.

Rawtek

Beyond Wonderland at The Gorge is where you are free to wander and explore this fantastical world of curiously costumed performers, mesmerizing art and visual effects, and multiple stages of world-class music and cutting-edge production.

Beyond Wonderland at The Gorge

Electric Daisy Carnival returns to Autódromo Hermanos Rodríguez with the best electronic dance music, rides, performers and art. All Are Welcome Here!

EDC Mexico

Granjas

Tomorrowland is the world's largest dance music festival, each summer bringing electronic music's biggest stars to its magical wonderland in the Belgium town of Boom.

After having to take a year off due to the pandemic, Tomorrowland returns in August and Septemeber 2021 with another epic lineup that spans across EDM, house, techno, hardstyle, drum and bass, trance and more, all showcased over tens of stages, many curated by some of each genre's foremost brands and artists.

Recent Tomorrowland lineups have featured the likes of The Chainsmokers, Carl Cox, Amelie Lens, Martin Garrix, Armin van Buuren, Tiësto and many more, who all played out amongst Tomorrowland's incredible stage design, production, and quirky surprises.

Now regarded as a mecca for all dance music fans, Tomorrowland is well and truly at the top of every dance fan's festival bucket list.

Tomorrowland is the world's largest dance music festival, each summer bringing electronic music's biggest stars to its magical wonderland in the Belgium town of Boom.After having to take a year off due to the pandemic, Tomorrowland returns in August and Septemeber 2021 with another epic lineup that spans across EDM, house, techno, hardstyle, drum and bass, trance and more, all showcased over tens of stages, many curated by some of each genre's foremost brands and artists.

Tomorrowland

If you visited the Galaxy Theater in Santa Ana a couple years ago, you would’ve been met by cover bands, one-hit wonders or closed doors. It had its moments, of course, but those moments were rare thanks to a lengthy closure and lackluster booking. Enter Jon Reiser, former partner and booker for Detroit Bar in Costa Mesa. Reiser purchased the venue and made several significant changes: booked popular acts, upgraded the sound system, added a smaller venue-in-a-venue called the Constellation Room. The Observatory now hosts popular acts such as Method Man , GWAR, Tiesto, Waka Flocka Flame and many, many more. That also includes residencies from local acts. Selling out shows is now a habit for this place. Most of all, it provides a valuable service to the whole county by bringing in acts we could usually only see by driving to Los Angeles. Oh, and it even—gasp!—makes Angelenos cross the Orange Curtain for a show.

The Observatory

Santa Ana

Schade

My Vibe

Tell Me

Yellow Claw is the party of the 21th century. The Claws mix up every genre which is within a sense of playing, from the electronic stuff like House and Electro, to Dubstep and all the way back to the Classics with HipHop and R&B. Add some of Bizzey’s most catchy lines and hooks and there you have it, one of the most innovating and entertaining club nights known to mankind.

Besides our clubtour through the Netherlands we also did some of the biggest Dutch festivals like DirtyDutch Festival, Stereo Sunday Festival, Solar Festival Roermond, Dreamfields Festival, Sneakerz Festival, Zomerkriebels, Salvationz, Latin Village Festival, Solar Festival and Welle Village.

Yellow Claw started as a regular clubnight at one of Amsterdam’s most famous clubs, the Jimmy Woo, but has since then grown into something much bigger. Hitting the big-time in 2012 with “Allermooiste Feestje” and “Krokobil,” the Yellow Claw boys have established themselves as the next big thing to come out of the Netherlands.

Yellow Claw

Sara Fajira

DRXGS

DRXGS - Rawtek Remix

JSTJR’s music is best represented by imagery and emotion rather than derivative sub-genres and labels. Walk into the most thumping nightclubs and sweaty, wall-shaking basements from Lisbon to Los Angeles to Lima and you’ll understand the 27-year-old producer’s global sound that has earned him official releases on dance music’s top labels including Mad Decent, Fool’s Gold, Insomniac, and SMOG.

Hailed as the US ambassador of Buraka Som Sistema’s zouk bass movement in America, the New England native has forged a love for regional sounds from around the world with his inherent tendencies for hip hop and experimental electronic production. This unique, hybrid and inclusive approach to dance music in a growingly homogenous market has earned him nods from an elite group of producers including Skrillex, A-Trak, Dillon Francis, GTA, and Diplo – the last of whom JSTJR worked with directly as a credited artist on Major Lazer’s Peace Is The Mission in 2015. In 2017, JSTJR championed his global bass sounds across North America, Australia, China and India. 2018 has him on a nation wide bus tour, some of the biggest festivals in North America and several releases in the pipeline dropping on Insomniac Records starting in Spring.

JSTJR

Go Stoopid

The Holy Bassgod EP

Can't Get Enough

Flosstradamus, the oft-mentioned Chicago DJ duo comprised of J2K (Josh Young) and Autobot (Curt Cameruci) have been dominating the party scene nationwide with their tag-team DJ sets (3 turntables, 2 mixers) for just over a year and show no signs of slowing down. But let’s get one thing straight, for the record: no more Wu-Tang requests, please!

Both established DJs in Chicago prior to their alliance as Flosstradamus, J2K and Autobot initially linked up while DJing a house party together in 2005, decided to start performing as a duo, and the rest is history. Gathering vast influences from their respective backgrounds in punk and hip-hop, Flosstradamus brought normally divided crowds together with their unique mixes of Baltimore club, hip-hop, house, obscure remixes, and juke. A monthly party soon followed (“Get Outta The Hood”) at Chicago’s Town Hall Pub, and within a year Flosstradamus turned a stagnant bar into the proverbial place-to-be, lines stretching down the block while sweaty kids crowd surf and get down inside. National press soon began to take notice, with features in URB (“Next 100 for 2006”), MTV (featured in “My Block”), and The Fader. Other recent accolades of note include 2006 appearances at SXSW, CMJ, Pitchfork Festival, Pop Montreal, parties for VICE, The Fader, Jane Magazine, DKNY, URB, and Puma, not to mention performances with Clipse, Common, and Rick Ross.

In the coming year, Flosstradamus plan to show off the rest of their multifaceted talent. Coming soon will be a full length Flosstradamus LP with J2K and Autobot on production duties, a mixtape with up and coming rappers The Cool Kids, and a European tour with A-Trak and Kid Sister.

Flosstradamus

Guava

LA-based by way of Orlando, Florida, dreadlocked DJ/producer Henry Fong has been on a production tear over the past few years, culminating in a pretty spectacular 2013 that saw tracks like “Hot Steppa”, “Revival”, “Jump”, and the massive “Encore” with MAKJ destroying charts and dancefloors with equal abandon.

With support from a who’s-who of dance music (Hardwell, Avicii, Armin Van Buuren, Calvin Harris, Knife Party, Bingo Players, Tommy Trash, Zedd, Knife Party, Hardwell, Kill The Noise, and more), gigs all over the world and festival appearances under his belt, the man ain’t stopping for nathan. He got into dance music around ‘07 while attending University of Central Florida, and after graduation in ’09 he’d picked up DJing as a way to avoid the real world and pay the bills.  Turned out to be a good choice.

In 2010 Fong established the successful electro night Riot!, his first weekly party in Orlando, and by ’11 he’d caught the producing bug.  The roller coaster took off from there and the past three years have seen the birth of one of the fastest rising names in big room EDM. With influences rooted in the early stages of the last electro wave (MSTRKRFT, Justice, Crookers, Fake Blood, and early Dim Mak), and mid-90’s hip hop, he’s developed a DJ style that has been characterized as club-friendly with flawless transitions and inspired mash-ups. “A lot of that music from that time was really fun, dancy and clubby so I always try to make my music and DJ sets really club friendly, and now I have been trying to incorporate that into the big room stuff I have been into lately.”

Fong considers himself a DJ first and his production skills reflect it, having grown out of the work he did putting together tweaks and edits to personalize his sets.  From mashups and edits to bootlegs and remixes and now into original production, the path has been clear, if not always smooth, and he has stated that it took a lot of time and effort to make the transition from DJ to producer. When he’s not making the music that makes you dance, you’ll probably find him surfing.

Best Rawtek Songs of All Time - Top 10 Tracks

Best Rawtek Songs of All Time - Top 10 Tracks

Upcoming Events

1. My Vibe

2. Tell Me

3. DRXGS - Rawtek Remix

4. Go Stoopid

5. Can't Get Enough

6. Guava

7. Vibrate

8. Gabber! At The Disco

9. Energy

10. Villain

Rawtek Details